Our SenecaArchon Books, 1968 - 285 páginas |
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Página 18
... natural dialogue and no fraction to spectacular side shows ; Seneca uses less than a third of his for natural dialogue , a quarter for his innovations , and nearly a sixth for two long speeches which he does not properly incorporate ...
... natural dialogue and no fraction to spectacular side shows ; Seneca uses less than a third of his for natural dialogue , a quarter for his innovations , and nearly a sixth for two long speeches which he does not properly incorporate ...
Página 72
... natural . In general then , the prologues of Sophocles present the leading character of the play in natural conversation , realistically presented . They furnish the necessary facts dramatically and are an integral part of the play . As ...
... natural . In general then , the prologues of Sophocles present the leading character of the play in natural conversation , realistically presented . They furnish the necessary facts dramatically and are an integral part of the play . As ...
Página 135
... natural interpretation would be that the action is here again continuous , ignoring the chorus , and that the nurse enters only at this point . It is of course possible to think of Medea as going within and coming out again . The fact ...
... natural interpretation would be that the action is here again continuous , ignoring the chorus , and that the nurse enters only at this point . It is of course possible to think of Medea as going within and coming out again . The fact ...
Índice
PREFACE vii | 3 |
THE BACKGROUND OF SENECAN TRAGEDY | 22 |
THE PROLOGUE | 64 |
Direitos de autor | |
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Palavras e frases frequentes
action addresses Aeschylus Agamemnon already appears asks audience become begins bring called character choral chorus clear close comes course dead death dialogue dost drama dread earth element enters entrance epigram Eteocles Euripides fact familiar Fate fear finally follows Fortune function ghost give gods Greek hand Hercules horror important individual interest Iokaste King Kreon Laius land largely later least leave less lines lord means Medea messenger monologue motivation murder narrative natural never noted nurse Oedipus once opening perhaps Plautus play plot present produced prologue question reason recitation rhetorical Roman Rome scene seems senate Seneca serve setting simply Sophocles soul speak speaker speech stage story sure tell Thebes thee thing thou tion Tiresias tone tragedy true whole wholly