Our SenecaArchon Books, 1968 - 285 páginas |
No interior do livro
Resultados 1-3 de 24
Página 20
... noted ; in other cases the characters merely speak and how they appear on the stage is not explained . Of the six instances , two consist of the threadbare device so familiar in comedy , the creaking door , in each case noted by the ...
... noted ; in other cases the characters merely speak and how they appear on the stage is not explained . Of the six instances , two consist of the threadbare device so familiar in comedy , the creaking door , in each case noted by the ...
Página 130
... noted in passing , to be more fully discussed later . With Seneca , the tendencies noted in Sophocles and Euripides go farther . The Hercules Furens will serve as a good illustration of the Roman use of the chorus . Juno , as prologue ...
... noted in passing , to be more fully discussed later . With Seneca , the tendencies noted in Sophocles and Euripides go farther . The Hercules Furens will serve as a good illustration of the Roman use of the chorus . Juno , as prologue ...
Página 158
... noted which are not consistently Stoic . The literary tradition of Fortuna has already been noted , but it must be emphasized . The Seneca of the moral essays is not in spirit the Seneca of the tragedies . The Stoic dogmas of the former ...
... noted which are not consistently Stoic . The literary tradition of Fortuna has already been noted , but it must be emphasized . The Seneca of the moral essays is not in spirit the Seneca of the tragedies . The Stoic dogmas of the former ...
Índice
PREFACE vii | 3 |
THE BACKGROUND OF SENECAN TRAGEDY | 22 |
THE PROLOGUE | 64 |
Direitos de autor | |
10 outras secções não apresentadas
Outras edições - Ver tudo
Palavras e frases frequentes
action addresses Aeschylus Agamemnon already appears asks audience become begins bring called character choral chorus clear close comes course dead death dialogue dost drama dread earth element enters entrance epigram Eteocles Euripides fact familiar Fate fear finally follows Fortune function ghost give gods Greek hand Hercules horror important individual interest Iokaste King Kreon Laius land largely later least leave less lines lord means Medea messenger monologue motivation murder narrative natural never noted nurse Oedipus once opening perhaps Plautus play plot present produced prologue question reason recitation rhetorical Roman Rome scene seems senate Seneca serve setting simply Sophocles soul speak speaker speech stage story sure tell Thebes thee thing thou tion Tiresias tone tragedy true whole wholly