Our SenecaArchon Books, 1968 - 285 páginas |
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Página 100
... present , a germ which developed in Euripides into something almost stereotyped , as familiar as the thrust and parry of his rapid argument which was of course equally the rhetorical development of something already present in the drama ...
... present , a germ which developed in Euripides into something almost stereotyped , as familiar as the thrust and parry of his rapid argument which was of course equally the rhetorical development of something already present in the drama ...
Página 134
... present . There had been nothing to suggest his departure and at the end of Hercules ' speech he addresses his son ... present and as reëntering at this point . None of the characters leave while the choral ode that follows is being sung ...
... present . There had been nothing to suggest his departure and at the end of Hercules ' speech he addresses his son ... present and as reëntering at this point . None of the characters leave while the choral ode that follows is being sung ...
Página 135
Clarence Whittlesey Mendell. heroine present , or at least without any indication of her departure , and when they finish , at line 1055 , she is there to receive the messenger . Medea is evidently present while the chorus sings the ...
Clarence Whittlesey Mendell. heroine present , or at least without any indication of her departure , and when they finish , at line 1055 , she is there to receive the messenger . Medea is evidently present while the chorus sings the ...
Índice
PREFACE vii | 3 |
THE BACKGROUND OF SENECAN TRAGEDY | 22 |
THE PROLOGUE | 64 |
Direitos de autor | |
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Palavras e frases frequentes
action addresses Aeschylus Agamemnon already appears asks audience become begins bring called character choral chorus clear close comes course dead death dialogue dost drama dread earth element enters entrance epigram Eteocles Euripides fact familiar Fate fear finally follows Fortune function ghost give gods Greek hand Hercules horror important individual interest Iokaste King Kreon Laius land largely later least leave less lines lord means Medea messenger monologue motivation murder narrative natural never noted nurse Oedipus once opening perhaps Plautus play plot present produced prologue question reason recitation rhetorical Roman Rome scene seems senate Seneca serve setting simply Sophocles soul speak speaker speech stage story sure tell Thebes thee thing thou tion Tiresias tone tragedy true whole wholly