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ROBERT M. CHARLTON.

THIS accomplished writer, to whom the engagements of literature were a relaxation from other duties, was born at Savannah, Ga., Jan. 19, 1807. His father was Judge Thomas U. P. Charlton, whose position and social virtues were renewed by the son. He was early admitted to the bar; on his arrival at age was in the state legislature; became United States District Attorney; and at twenty-seven was appointed Judge of the Supreme Court of the Eastern District of Georgia. În 1852 he was in the United States Senate. He was known for his polished oratory and his genial powers in society. His literary productions were in prose and verse: essays, sketches, lectures, and literary addresses. Many of these, including a series of sketches entitled Leaves from the Portfolio of a Georgia Lawyer, appeared in the Knickerbocker Magazine. They are all indi

cative of his cultivated talents and amiable temperament.

Robert
Rotist M Challen

In 1839 Mr. Charlton published a volume of poems, in which he included the poetical remains marked by a delicate sentiment, of his brother, Dr. Thomas J. Charlton, a young physician, who died in September, 1835, a victim to his professional zeal. This volume appeared in a second edition at Boston in 1842, with alterations and additions. It includes, besides the poems of the brothers, two prose compositions by R. M. Charlton, a eulogy on Doctor John Cumming, an esteemed citizen of Savannah, who was lost in the steamer Pulaski, and an historical lecture on Serjeant Jasper, the hero of Fort Moultrie and Savannah, delivered before the Georgia Historical Society in 1841.

The poems of Mr. R. M. Charlton are written in a facile style, expressive of a genial and pathetic susceptibility, rising frequently to elo

quence.

He died at Savannah Jan. 8, 1854.

TO THE RIVER OGEECHEE,

O wave, that glidest swiftly
On thy bright and happy way,
From the morning until evening,
And from twilight until day,
Why leapest thou so joyously,
Whilst coldly on thy shore,
Sleeps the noble and the gallant heart,
For aye and evermore?

Or dost thou weep, O river,
And is this bounding wave,

But the tear thy bosom sheddeth
As a tribute o'er his grave?
And when, in midnight's darkness,
The winds above thee moan,
Are they mourning for our sorrows,
Do they sigh for him that's gone?
Keep back thy tears, then, river,

Or, if they must be shed,
Let them flow but for the living:
They are needless for the dead.

His soul shall dwell in glory,

Where bounds a brighter wave, But our pleasures, with his troubles, Are buried in the grave.

THEY ARE PASSING AWAY.

They are passing away, they are passing awayThe joy from our hearts, and the light from our day,

The hope that beguiled us when sorrow was near, The loved one that dashed from our eye-lids the tear,

The friendships that held o'er our bosoms their sway;

They are passing away, they are passing away.
They are passing away, they are passing away-
The cares and the strifes of life's turbulent day,
The waves of despair that rolled over our soul,
The passions that bowed not to reason's control,
The dark clouds that shrouded religion's kind ray;
They are passing away, they are passing away.

Let them go, let them pass, both the sunshine and shower,

The joys that yet cheer us, the storms that yet lower:

When their gloom and their light have all faded

and past,

There's a home that around us its blessing shall cast,

Where the heart-broken pilgrim no longer shall say,

"We are passing away, we are passing away."

THE DEATH OF JASPER-A HISTORICAL BALLAD.

"T was amidst a scene of blood,
On a bright autumnal day,
When misfortune like a flood,
Swept our fairest hopes away;
"T was on Savannah's plain,
On the spot we love so well,
Amid heaps of gallant slain,

That the daring Jasper fell!
He had borne him in the fight,

Like a soldier in his prime,
Like a bold and stalwart knight,
Of the glorious olden time;
And unharmed by sabre-blow,
And untouched by leaden ball,
He had battled with the foe,
"Till he heard the trumpet's call.
But he turned him at the sound,
For he knew the strife was o'er,
That in vain on freedom's ground,
Had her children shed their gore;
So he slowly turned away,

With the remnant of the band,
Who, amid the bloody fray,

Had escaped the foeman's hand.
But his banner caught his eye,
As it trailed upon the dust,
And he saw his comrade die,
Ere he yielded up his trust,
"To the rescue!" loud he cried,
"To the rescue, gallant men!"
And he dashed into the tide

Of the battle-stream again.
And then fierce the contest rose,

O'er its field of broidered gold,
And the blood of friends and foes,
Stained alike its silken fold;

But unheeding wound and blow,

He has snatched it midst the strife, He has borne that flag away,

But its ransom is its life!

"To my father take my sword,"
Thus the dying hero said,
"Tell him that my latest word

Was a blessing on his head;
That when death had seized my frame,
And uplifted was his dart,
That I ne'er forgot the name,

That was dearest to my heart.
"And tell her whose favor gave
This fair banner to our band,
That I died its folds to save,

From the foe's polluting hand;
And let all my comrades hear,
When my form lies cold in death,
That their friend remained sincere,
To his last expiring breath.”
It was thus that Jasper fell,
'Neath that bright autumnal sky;
Has a stone been reared to tell

Where he laid him down to die?
To the rescue, spirits bold!

To the rescue, gallant men! Let the marble page unfold

All his daring deeds again!

WILLIAM A. CARRUTHERS, THE author of several novels written with spirit and ability, was a Virginian, and as we learn from a communication to the Knickerbocker Magazine, in which he gives an account of a hazardous ascent of the Natural Bridge, of which he was a witness, was, in 1818, a student of Washington College, in the vicinity of that celebrated curiosity. We have no details of his life, beyond the facts of his publication of several books in New York about the year 1834, his retirement from Virginia to Savannah, Georgia, where he practised medicine, and wrote for the Magnolia and other Southern magazines, and where he died some years since.

His books which have come to our knowledge are, The Cavaliers of Virginia, or the Recluse of Jamestown, an Historical Romance of the Old Dominion, contrasting the manners of the conservative and revolutionary races, the followers of Charles and of Noll in the State; The Kentuckian in New York, or the Adventures of Three Southerns, a sketchy volume of romantic descriptive matter; and The Knights of the Horse Shoe, a Traditionary Tale of the Cocked Hat Gentry in the Old Dominion, published at Wetumpka, Alabama, in 1845. In the last book the author drew a pleasing and animated picture of the old colonial life in Virginia, in the days of Governor

Spotswood. A passage from one of its early chapters will exhibit its genial spirit.

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enlivened the scene-besides, it was night, and the culinary operations of the day were over. A few blazing fagots of rich pine, however, still threw a lurid glare over the murky atmosphere, and here and there sat the several domestics of the establishment; some nodding until they almost tumbled into the fire, but speedily regaining the perpendicular without ever opening their eyes, or giving any evidence of discomposure, except a loud snort, perhaps, and then dozing away again as comfortably as ever. Others were conversing without exhibiting any symptoms of weariness or drowsiness.

In one corner of the fire-place sat old Sylvia, a Moor, who had accompanied the father of the Governor (a British naval officer) all the way from Africa, the birth-place of his Excellency. She had straight hair, which was now white as the driven snow, and hung in long matted locks about her shoulders, not unlike a bunch of candles. She was by the negroes called outlandish, and talked a sort of jargon entirely different from the broken lingo of that race. She was a general scape-goat for the whole plantation, and held in especial dread by the Ethiopian tribe. She was not asleep, nor dozing, but sat rocking her body back and forth, without moving the stool, and humming a most mournful and monotonous ditty, all the while throwing her large stealthy eyes around the room. In the opposite corner sat a regular hanger-on of the establishment, and one of those who kept a greedy eye always directed towards the fleshpots, whenever he kept them open at all. His name was June, and he wore an old cast-off coat of the Governor's, the waist buttons of which just touched his hips, while the skirts hung down to the ground in straight lines, or rather in the rear of the perpendicular, as if afraid of the them when walking. His legs were bandied, and constant kicking which his heels kept up against

set so much in the middle of the foot as to render it rather a difficult matter to tell which end went foremost. His face was of the true African stamp: large mouth, flat nose, and a brow overhung with long, plaited queus, like so many whip-cords cut off short and even all round, and now quite grey. The expression of his countenance was full of mirthfulness and good humor, mixed with just enough of shrewdness to redeem it from utter vacuity. There was a slight degree of cunning twinkled from his small terrapin-looking eye, but wholly swallowed up by his large mouth, kept constantly on the stretch. He had the run of the kitchen; and, for these perquisites was expected and required to perform no other labor than running and riding errands to and from the capital; and it is because he will sometimes be thus employed that we have been so particular in describing him, and because he was the banjo player to all the small fry at Temple Farm. He had his instrument across his lap on the evening in question, his hands in the very attitude of playing, his eyes closed, and every now and then, as he rose up from a profound inclination to old Somnus, twang, twang, went the strings, accompanied by lips in half utterance, such as the following:some negro doggrel just lazily let slip through his

Massa is a wealthy man, and all de nebors know it;
Keeps good liquors in his house, and always says-here goes

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company a monotonous symphony, until all were lost together, by his head being brought in wonderful propinquity to his heels in the ashes.

While old June thus kept up a running accompaniment to Sylvia's Moorish monotony, on the opposite side of the fire, the front of the circle was occupied by more important characters.

Old Essex, the major-domo of the establishment, sat there in all the panoply of state. He was a tall, dignified old negro, with his hair queued up behind and powdered all over, and not a little of it sprinkled upon the red collar of his otherwise scrupu lously clean livery. He wore small-clothes and knee-buckles, and was altogether a fine specimen of the gentlemanly old family servant. He felt himself just as much a part and parcel of the Governor's family as if he had been related to it by blood. The manners of Essex were very far above his mental culture; this no one could perceive by a slight and superficial observation, because he had acquired a most admirable tact (like some of his betters) by which he never travelled beyond his depth; added to this, whatever he did say was in the most appropriate manner, narrowly discerning nice shades of character, and suiting his replies to every one who addressed him. For instance, were a gentleman to alight at the hall door and meet old Essex, he would instantly receive the attentions due to a gentleman; whereas, were a gentlemanly dressed man to come, who feared that his whole importance might not be impressed upon this important functionary, Essex would instantly elevate his dignity in exact proportion to the fussiness of his visitor. Alas! the days of Essex's class are fast fading away. Many of them survived the Revolution, but the Mississippi fever has nearly made them extinct.

On the present occasion, though presumed to be not upon his dignity, the old major sat with folded arms and a benignant but yet contemptuous smile playing upon his features, illuminated as they were by the lurid fire-light, while Martin the carpenter told one of the most marvellous and wonder-stirring stories of the headless corpse ever heard within these walls, teeming, as they were, with the marvellous. Essex had often heard stories first told over the gentlemen's wine, and then the kitchen version, and of course knew how to estimate them exactly: now that before-mentioned incredulous smile began to spread until he was forced to laugh outright, as Martin capped the climax of his tale of horror, by some supernatural appearance of blue flames over the grave. Not so the other domestics, male and female, clustering around his chair; they were worked up to the highest pitch of the marvellous. Even old June ceased to twang his banjo, and at length got his eyes wide open as the carpenter came to the sage conclusion, that the place would be haunted.

It was really wonderful, with what rapidity this same point was arrived at by every negro upon the plantation, numbering more than a hundred; and these having wives and connexions on neighboring plantations, the news that Temple Farm was haunted became a settled matter for ten miles round in less than a week, and so it has remained from that day to this.

On the occasion alluded to, the story-teller for the night had worked his audience up to such a pitch of terror, that not one individual dared stir for his life, every one seeming to apprehend an instant apparition. This effect on their terrified imaginations was not a little heightened by the storm raging without. The distant thunder had been some time reverberating from the shores of the bay, mingling with the angry roar of the waves as they splashed

and foamed against the beach, breaking, and then retreating for a fresh onset.

JAMES OTIS ROCKWELL. JAMES O. ROCKWELL was, to a great extent, a selfmade man. Ile was born at Lebanon, Conn., in 1807, and at an early age placed as an operative in a cotton factory at Paterson, New Jersey. When he was fourteen the family removed to Manlius, N. Y., and James was apprenticed to a printing establishment at Utica. He remained there about four years, writing for as well as working at the press, and then after a short sojourn in New York removed to Boston. After working a short time as a journeyman printer he obtained the situation of assistant editor of the Boston Statesman, from which he was soon promoted, in 1829, to the exclusive charge of a paper of his own, The Providence Patriot. "He continued," says his biographer Everest, "his editorial labors until the summer of 1831, when a 'card apologetic' announced to the readers of the Patriot that its editor had been accused of ill health--tried-found guilty-and condemned over to the physicians for punishment.' The following number was arrayed in tokens of mourning for his death."*

His poems are scattered through his own and other periodicals, having never been collected. They are all brief, and though bearing marks of an ill regulated imagination and imperfect literary execution, are animated by a true poetic flame.

SPRING.

Again upon the grateful earth,
Thou mother of the flowers,
The singing birds, the singing streams,
The rainbow and the showers:
And what a gift is thine!-thou mak'st
A world to welcome thee;
And the mountains in their glory smile,
And the wild and changeful sea.

Thou gentle Spring!-the brooding sky
Looks welcome all around;

The moon looks down with a milder eye,
And the stars with joy abound;
And the clouds come up with softer glow,
Up to the zenith blown,

And float in pride o'er the earth below,
Like banners o'er a throne.

Thou smiling Spring!-again thy praise
Is on the lip of streams;

And the water-falls loud anthems raise,
By day, and in their dreams;
The lakes that glitter on the plain,

Sing with the stirring breeze;
And the voice of welcome sounds again
From the surge upon the seas.
Adorning Spring! the earth to thee
Spreads out its hidden love;
The ivy climbs the cedar tree,

The tallest in the grove;
And on the moss-grown rock, the rose
Is opening to the sun,

And the forest leaves are putting forth
Their green leaves, one by one.

*Poets of Connecticut, p. 857. See also a further notice from the same pen, South Lit. Mess., July, 1838, in which a suspicion of suicide is hinted at.

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As thou to earth, so to the soul
Shall after glories be,-

When the grave's winter yields control,
And the spirit's wings are free:
And then, as yonder opening flower
Smiles to the smiling sun,-

Be mine the fate to smile in heaven,
When my weary race is run.

GEORGE LUNT.

GEORGE LUNT was born at Newburyport, Massachusetts. He was graduated at Harvard in 1824; was admitted to the bar in 1831; practised for awhile at his native place, and since 1848 has pursued the profession in Boston.

In 1839, he published a volume of Poems, followed in 1843 by The Age of Gold and other Poems, and in 1854, by Lyric Poems, Sonnets, and Miscellanies. He is also the author of Eastford, or Household Sketches, by Westley Brooke, a novel of New England life, published in 1854.

We quote from Mr. Lunt's last published volume of poems, a characteristic specimen.

MEMORY AND HOPE.

Memory has a sister fair,

Blue-eyed, laughing, wild, and glad, Oft she comes, with jocund air,

When her twin-born would be sad; Hand-in-hand I love them best,

And to neither traitor prove, Both can charm the aching breast, Scarce I know which most to love.

Memory has a downcast face,

Yet 'tis winning, sweet, and mild, Then comes Hope, with cheerful grace, Like a bright enchanting child. Now, I kiss this rosy cheek,

And the dimpling beam appears, Then her pensive sister seek,

She too smiles, through pleasant tears.

Thus the heart a joy may take,

Else it were but hard to win, And a quiet household make, Where no jealousies come in. If thy spirit be but true,

Love like this is sure to last,Happy he, who weds the two, Hopeful Future,-lovely Past.

NATHANIEL PARKER WILLIS.

THE family of Nathaniel Parker Willis trace back their descent to George Willis, who was born in England in 1602, and who, as a newly settled resident of Cambridge near Boston, was admitted "Freeman of Massachusetts," in 1638. By the-maternal branch, dividing at the family of the grandfather of N. P. Willis, he is a descendant of the Rev. John Bailey, pastor of a church in Boston, in 1683. The portrait of the Rev. John Bailey was presented some years since to the Massachusetts Historical Society, by Nathaniel Willis, the father of N. P. Willis, to whom it had descended as the oldest of the sixth generation. Mr. Bailey was an exile for opinion's sake. He had begun his ministry at Chester, in England, at the age of 22, but was imprisoned for his non-conformist doctrines; and while waiting for his trial, had preached to crowds through the bars of Lancashire jail. He afterwards preached fourteen years in Limerick,

Ireland, and was again imprisoned and tried for his opinions. He then fled from persecution to this country. The memoir of his ministry in Boston has been written by the Rev. Mr. Emerson. He died in 1697, and his funeral sermon was preached by the Rev. Cotton Mather.

The numerous descendants of these two names have been principally residents in New England, and are traceable mainly in the church records of their different locations. The majority have been farmers. N. P. Willis, was born in Boston in 1755. He Nathaniel Willis, the grandfather of Independent Chronicle, a leading political paper, was one of the proprietors and publishers of the from 1776 to 1784. He removed from Boston to Virginia, where he established the "Potomac Guardian," which he published several years at Martinsburgh. He thence removed to Ohio, and established the first newspaper ever published in that state, the "Scioto Gazette." He was for several years the Ohio State printer. It was among the memorabilia of his life that he had been an apprentice in the same printing-office with Benjamin Franklin; and that he was one of the adventurous "Tea-Party," who, in 1773, boarded the East India Company's ship in Boston harbor, and threw overboard her cargo of tea, to express their opinion of the tea-tax. He died at an advanced age on his farm near Chillicothe, to which he had retired, to pass his latter years in

repose.

The poet's father, Nathaniel Willis, was for several years a political publisher and editorthe "Eastern Argus" having been established by him at Portland in 1803. With a change in his religious opinions and feelings, he returned to Boston, his native city, and there founded in 1816, the first religious newspaper in the world, the "Boston Recorder." This he conducted for twenty years, establishing, during the latter part of the same time, the first child's newspaper in the world, the "Youth's Companion." The latter he still conducts, having parted with the Recorder as too laborious a vocation for his advancing years, and its eminent success having realized for him a comfortable independence.

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Nathaniel Parker Willis was born in Portland, | Jan. 20, 1807. His father removed to Boston when he was six years of age. He was for a year or two a pupil of the Rev. Dr. McFarlane of Concord, N. H.; but at the Latin School of Boston and at the Phillips Academy at Andover, he received his principal education, previous to entering college. He was graduated at Yale in 1827. While in college he published several religious pieces of poetry under the signature of "Roy," and gained the prize of fifty dollars for the best poem, offered by "The Album," a gift book published by Lockwood. His mother, by whom he takes the name of Parker, was the daughter of Solomon Parker, a farmer of Massachusetts. She was a woman of uncommon talents, and of very exemplary piety and benevolence. Her husband's house being for many years the hospitable home of the clergy of their denomination, her friendship with some of the most eminent men of her time was intimate and constant; and her long and regular correspondence with the Rev. Dr. Payson, the Rev. Dr. Storrs, and others of the first minds of the period in which she lived, will, some day probably, be formed into a most interesting memoir. She died in 1844.

After his graduation, Mr. Willis first became the editor of "The Legendary," a series of volumes of tales published by S. G. Goodrich. He next established the "American Monthly Magazine," which he conducted for two years, then merging it in the "New York Mirror," conducted by Geo. P. Morris-that he might carry out a cherished purpose of a visit to Europe. His "Pencillings by the Way," contributed to the Mirror, give the history of his next four years of travel and adventure. During his first stay in Paris, Mr. Rives, the American Minister, attached him to his Legation, and it was with diplomatic passport and privilege that he made his leisurely visit to the different Courts and Capitals of Europe and the East. In 1835, after two years' residence in England, he married Mary Leighton Stace, daughter of the Commissary General William Stace, then in command of the arsenal at Woolwich, a distinguished officer, who was in the enjoyment of a large pension from government for his gallant conduct at Waterloo.

Before he returned to America, his contributions to the Mirror giving an account of the society in which he moved and the places which he saw, had found their way to England, and falling into the hands of Lockhart, were reviewed by him with severity in the Quarterly for 1885. The chief points of the article were the correction of some technical errors touching the artificial distinctions of the aristocracy, and the charge that Willis had committed himself by printing his "unrestrained tabie-talk on delicate subjects, and capable of compromising individuals." This referred mainly to an account which Willis had published of the conversation of Moore at Lady Blessington's, in which the Irish poet commented with freedom on the career of O'Connell. It was an injudicious passage, which Willis regretted was published, not thinking at the time it was written that it would re-appear in England, though it contained, probably, nothing more than was generally known of the opinions of Moore on the Irish agitation. Moore, at any rate, was writing similar opinions himself in his Diary (since published), for the benefit of posterity. The immediate consequence of the agitation of the subject in the Quarterly was a public demand for the book, and a publisher's offer of three hundred pounds for the portion on hand in England.-about one half of what subsequently appeared in America, with the title of the collection thus made, Pencillings by the Way. Captain Marryatt, then editing the Metropolitan Magazine, made the volumes, on their publication, the subject of a personal article in that journal. Satisfaction was demanded by Willis, and shots were exchanged between the parties at Chatham.

Immediately after his marriage, Mr. Willis returned to this country, and gratified his early passion for rural life, which had grown upon him with time and weariness of travel, by the purchase of a few acres in the valley of the Susquehannah, and the building of a small cottage in which he hoped to pass the remainder of his life. At this place, which he called "Glenmary," and from which he wrote the Letters from Under a Bridge, he passed four years. His one child by his first wife, Imogen his daughter, was born here.

By the failure of his publisher, the death of his father-in-law, and other simultaneous calamities, involving entirely his means of support, Mr. Willis was driven once more to active life; and returning to New York, he established, in connexion with Dr. Porter, The Corsair, a weekly journal. To arrange the foreign correspondence for this and visit his relatives, he made a short trip to England, engaging, among others, Mr. Thackeray, who was less known then than now to fame, and who wrote awhile for the Corsair. While abroad on this second tour, Mr. Willis published in London a miscellany of his magazine stories, poems, and European letters, with the title Loiterings of Travel. He also published in London his two plays "Bianca Visconti" and "Tortesa the Usurer," with the joint title Two Ways of Dying for a Husband. He also wrote

about this time the letter-press for two serial publications by Virtue, on the Scenery of the United States and Ireland.

On his return to New York, he found that his partner Dr. Porter had suddenly abandoned their project in discouragement; and he soon after established, in connexion with his former partner Gen. Morris, the "Evening Mirror." The severe labor of this new and trying occupation made the first break in a constitution of great natural vigor, and the death of his wife occurring soon after, his health entirely gave way, and he was compelled once more to go abroad. A brain fever in England, and a tedious illness at the Baths of Germany, followed. On reaching Berlin, however, he met with his former literary partner, Theodore S. Fay; and Mr. Wheaton, the American minister, appointing him attaché to the Legation of which Mr. Fay was the Secretary, he determined to make this the home of his literary labors. Visiting England to place his daughter at school, however, he found himself too much prostrated in health to return to Germany, and soon after sailed once more with his daughter for home.

The change from the Evening Mirror to the Home Journal, which was made soon after by both partners, was a return to the more quiet paths of literature, which were better suited to both.

Upon this last enterprise, Mr. Willis is still actively employed, and its career has been, as is well known, eminently successful.

Since that time, the publications of Mr. Willis have of late consisted of editorial articles in the journal, and a series of special contributions written on his journeys in the western and southern states and among the West India islands, or from his new country residence of Idlewild on the plateau of the Highlands of the Hudson beyond West Point. A collection of his works in royal octavo

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