The theory and practice of linear perspective, applied to landscape, interiors, and the figure, for the use of artists, art-students, etc. Transl1873 |
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Página 8
... equal to about 5 feet 10 inches . It has been thought best not to render it into English yards , feet , & c . , as this would only tend to mutilate the arguments of the author , and would not give any real assistance to the reader . The ...
... equal to about 5 feet 10 inches . It has been thought best not to render it into English yards , feet , & c . , as this would only tend to mutilate the arguments of the author , and would not give any real assistance to the reader . The ...
Página 9
... equals one metre and three - quarters , or seven - fourths of a metre ; the length , TA , is equal to 35 centimetres of the true metre , and repre- sents the seven - fourths of the metre of the picture . I divide TA in seven equal parts ...
... equals one metre and three - quarters , or seven - fourths of a metre ; the length , TA , is equal to 35 centimetres of the true metre , and repre- sents the seven - fourths of the metre of the picture . I divide TA in seven equal parts ...
Página 10
... equal to E F ; and I transfer this length with the compass to Z ' Z , which resolves the question . The most General Case . - It often happens that the painter makes a previously arranged sketch of the real size 10 The Theory and ...
... equal to E F ; and I transfer this length with the compass to Z ' Z , which resolves the question . The most General Case . - It often happens that the painter makes a previously arranged sketch of the real size 10 The Theory and ...
Página 12
... equal to that taken on the model , from the highest point of its body , and to effect the sketch of the figure by means of these data . We see from this that if , for the wants of the composition , it is desired to have at such or such ...
... equal to that taken on the model , from the highest point of its body , and to effect the sketch of the figure by means of these data . We see from this that if , for the wants of the composition , it is desired to have at such or such ...
Página 16
... equal to X X ' . If a part of the figure should have to be hidden , say a half , third , or fourth , by the ground of the picture , the rule given at page 11 will be applied . PART THE SECOND . CHAPTER I. Distance . - The 16 The Theory ...
... equal to X X ' . If a part of the figure should have to be hidden , say a half , third , or fourth , by the ground of the picture , the rule given at page 11 will be applied . PART THE SECOND . CHAPTER I. Distance . - The 16 The Theory ...
Outras edições - Ver tudo
The Theory and Practice of Linear Perspective, Applied to Landscape ... V Pellegrin Pré-visualização indisponível - 2018 |
The Theory and Practice of Linear Perspective, Applied to Landscape ... V Pellegrin Pré-visualização indisponível - 2018 |
The Theory and Practice of Linear Perspective, Applied to Landscape ... V. Pellegrin Pré-visualização indisponível - 2022 |
Palavras e frases frequentes
accessory objects angle of 45 apply artist background base-line canvas centimetres composition comprised Crown 8vo demy 8vo determine diameter dimensions distance chosen Ditto Ditto draw equal example figures lying five metres front views gilt edges half morocco height hori horizontal line horizontal plan INDIA PAPER J. P. BROWNE joined Lancashire lateral wall line perpendicular line V O LINEAR PERSPECTIVE lines A B lines parallel MARY COWDEN CLARKE means method metres in width nature oblique views obtain painter Pellegrin perspective circle perspective plan perspective right angle perspective square picture point chosen point D¹ point H point Z points of distance points of division practical principal vanishing point prolonged proportion for figures question rectangle Roxburghe rules scale of proportion sentiment side sketch solved spective studio suffice tical tion tive traced tremities triangles vanishing lines vertical line elevated visual ray vols zontal line