Poetic Drama as Mirror of the Will

action actor actually associated audience becomes begins blood century character classical comes complex consciousness convention convey criticism death direct drama effect element Elizabethan English entirely especially expressive eyes feel felt figure follow force French given gives goes hand happens hear Hippolyte human imagined important individual instance interest kind language less light look Macbeth matter meaning merely mind movement moves nature Oenone once opera Othello passed performance person Phèdre phrase play poetic drama poetry poets popular produced Racine reader reason rhythm romantic scene seems seen sense Shakespeare simple social soliloquy Spanish speak speech stage structure theatre theme Thésée thing thought touch tradition tragedy translation turns utterance verbal verse voice whole words writing