The British Essayists: SpectatorC. and J. Rivington, 1823 |
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Página vii
... Readers - Specimen of a Newspaper 453. On pious Gratitude - Poem on it .. 454. Advantages of being so easily pleased - different ADDISON STEELE ADDISON Characters in a Tour through the Metropolis .. STEELE 455. Letters on Education ...
... Readers - Specimen of a Newspaper 453. On pious Gratitude - Poem on it .. 454. Advantages of being so easily pleased - different ADDISON STEELE ADDISON Characters in a Tour through the Metropolis .. STEELE 455. Letters on Education ...
Página 11
... reader's own thoughts will suggest to him the vicissitude of day and night , the change of seasons , with all that variety of scenes which diversify the face of nature , and fill the mind with a perpetual succession of beautiful and ...
... reader's own thoughts will suggest to him the vicissitude of day and night , the change of seasons , with all that variety of scenes which diversify the face of nature , and fill the mind with a perpetual succession of beautiful and ...
Página 12
... reader to consider the world in its most agreeable lights , I must own there are many evils which naturally spring amidst the entertainments that are provided for up us ; but these , if rightly considered , should be far from ...
... reader to consider the world in its most agreeable lights , I must own there are many evils which naturally spring amidst the entertainments that are provided for up us ; but these , if rightly considered , should be far from ...
Página 18
... readers a fair account of the whole plan upon which this wonderful treatise is built . The author pretends , that Jupiter once upon a time resolved on a reformation of the constellations : for which purpose , having summoned the stars ...
... readers a fair account of the whole plan upon which this wonderful treatise is built . The author pretends , that Jupiter once upon a time resolved on a reformation of the constellations : for which purpose , having summoned the stars ...
Página 19
... readers with the description of the customs and manners of these barbarians , who are in every respect scarce one degree above brutes , having no language among them but a confused gab- ble , which is neither well understood by ...
... readers with the description of the customs and manners of these barbarians , who are in every respect scarce one degree above brutes , having no language among them but a confused gab- ble , which is neither well understood by ...
Palavras e frases frequentes
acquaint admired Æneid affect agreeable animal spi Ann Boleyn appear arise atheists attended beautiful behold body called Callisthenes charms cheerfulness Cicero colours consider conversation creature Cynthio delight desire discourse divine endeavour entertain eyes fancy Fidelio Flavia gentleman give Gloriana grace hand happiness heart honour human humble servant humour ideas Iliad imagination innocent James Miller JUNE Jupiter kind lady letter live look lover mankind manner Menippus mind modesty nature neral never objects observed OVID paper particular pass passions perfection person pleasant pleasing pleasure Plutarch poet poetry present proper racter reader reason received reflection satisfaction scenes secret Sempronia sense sight sions Sir Robert Viner soul Spanish monarchy SPECTATOR taste temper thing thio thought tion town tural ture VIRG Virgil virtue whole woman women words writing young
Passagens conhecidas
Página 345 - There was a little city, and few men within it; and there came a great king against it, and besieged it, and built great bulwarks against it: 15 Now there was found in it a poor wise man, and he by his wisdom delivered the city; yet no man remembered that same poor man.
Página 352 - Soon as the evening shades prevail The moon takes up the wondrous tale, And nightly to the listening earth Repeats the story of her birth...
Página 352 - What though, in solemn silence, all Move round the dark terrestrial ball ; What though no real voice nor sound Amid their radiant orbs be found; In reason's ear they all rejoice, And utter forth a glorious voice, For ever singing as they shine, The hand that made us is divine.
Página 242 - THE Lord my pasture shall prepare, And feed me with a Shepherd's care ; His presence shall my wants supply, And guard me with a watchful eye ; My noonday walks he shall attend, And all my midnight hours defend. 2 When in the sultry glebe I faint, Or on the thirsty mountain pant, To fertile vales and dewy meads, My weary wand' ring steps he leads ; Where peaceful rivers, soft and slow, Amid the verdant landscape flow.
Página 233 - Curse not the king, no not in thy thought; and curse not the rich in thy bedchamber: for a bird of the air shall carry the voice, and that which hath wings shall tell the matter.
Página 141 - Words, when well chosen, have so great a force in them, that a description often gives us more lively ideas than the sight of things themselves. The reader finds a scene drawn in stronger colours, and painted more to the life in his imagination by the help of words, than by an actual survey of the scene which they describe.
Página 180 - Less Philomel will deign a song In her sweetest saddest plight, Smoothing the rugged brow of Night, While Cynthia checks her dragon yoke Gently o'er the accustomed oak. Sweet bird, that shunn'st the noise of folly, Most musical, most melancholy!
Página 296 - To all my weak complaints and cries Thy mercy lent an ear, Ere yet my feeble thoughts had learnt To form themselves in prayer. V. ' Unnumber'd comforts to my soul Thy tender care bestow'd, Before my infant heart conceiv'd From whom those comforts flow'd. * VI. ' When in the slipp'ry paths of youth With heedless steps I ran, Thine arm unseen convey'd me safe, And led me up to man.
Página 180 - Stooping through a fleecy cloud. Oft, on a plat of rising ground, I hear the far-off...
Página 114 - I divide these pleasures into two kinds ; my design being first of all to discourse of those primary pleasures of the imagination, which entirely proceed from such objects as are before our eyes; and in the next place to speak of those secondary pleasures of the imagination which flow from the ideas of visible objects, when the objects are not actually before the eye, but are called up into our memories, or formed into agreeable visions of things that are either absent or fictitious.