Lectures on Shakespeare, Volume 1Baker and Scribner, 1848 |
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Página 195
... Viola , Rosalind , and Imogen , to exhibit females in the most delicate and trying situations in which they could possibly be placed ; namely , in assuming the habit and personating the character of the other sex . How to do this so ...
... Viola , Rosalind , and Imogen , to exhibit females in the most delicate and trying situations in which they could possibly be placed ; namely , in assuming the habit and personating the character of the other sex . How to do this so ...
Página 248
... Viola , the heroine , and her twin brother Sebastian , who resemble each other almost as much as the broth- ers in Comedy of Errors , are shipwrecked and separat- ed on the coast of Illyria . Each supposes the other drowned . Viola soon ...
... Viola , the heroine , and her twin brother Sebastian , who resemble each other almost as much as the broth- ers in Comedy of Errors , are shipwrecked and separat- ed on the coast of Illyria . Each supposes the other drowned . Viola soon ...
Página 249
... Viola , feeling her disguise to be a wickedness , and distressed alike with love for the duke , and with pity for the countess , knows not what to do ; " it is too hard a knot for her to untie ; " and she is obliged to resign herself to ...
... Viola , feeling her disguise to be a wickedness , and distressed alike with love for the duke , and with pity for the countess , knows not what to do ; " it is too hard a knot for her to untie ; " and she is obliged to resign herself to ...
Página 251
... Viola , always perfect in her part , yet always shrinking from it , appearing among them from time to time on her embassies of love ; sometimes a partaker , sometimes a provoker , sometimes the victim , of their mischievous sport . Thus ...
... Viola , always perfect in her part , yet always shrinking from it , appearing among them from time to time on her embassies of love ; sometimes a partaker , sometimes a provoker , sometimes the victim , of their mischievous sport . Thus ...
Página 252
... Viola , the duke and countess are by no means uninteresting personages . The duke is represented as in every respect a most ele- gant and accomplished gentleman , enraptured at the touch of music , and the sport of his own beautiful ...
... Viola , the duke and countess are by no means uninteresting personages . The duke is represented as in every respect a most ele- gant and accomplished gentleman , enraptured at the touch of music , and the sport of his own beautiful ...
Outras edições - Ver tudo
Palavras e frases frequentes
abstrac Accordingly affection altogether ancient appears beauty Ben Jonson better breath character Classic Comedy of Errors conceive countess course critics culture Daugh divine doth doubtless drama duke equally excellence exem expression faculties Falstaff fancy feelings female former genius gentle Gentlemen of Verona give grace hand happiness harmony hath heart heaven honour human Hume humour individual instruction intellectual irresistible grace king laws less living look Love's Labour's Lost means ment mind moral Nahum Tate nature ness never noble nosegays objects once original passion perfect perhaps persons Petruchio play poet poet's poetry pride prince principle probably propriety reason rich scene scorn seems sense sentiment Shak Shakspeare Shakspeare's Shylock sometimes sonnets sort soul speak spirit sweet sympathies taste thing thought tion tongue true truth ture unfolds utter Viola virtue Warwickshire wherein whole WINTER'S TALE wisdom word worth
Passagens conhecidas
Página 219 - But love, first learned in a lady's eyes, Lives not alone immured in the brain; But, with the motion of all elements, Courses as swift as thought in every power, And gives to every power a double power, Above their functions and their offices.
Página 273 - Nature never did betray The heart that loved her ; 'tis her privilege, Through all the years of this our life, to lead From joy to joy: for she can so inform The mind that is within us, so impress With quietness and beauty, and so feed With lofty thoughts, that neither evil tongues...
Página 304 - There are a sort of men whose visages Do cream and mantle like a standing pond...
Página 219 - Above their functions and their offices. It adds a precious seeing to the eye ; A lover's eyes will gaze an eagle blind ; A lover's ear will hear the lowest sound, When the suspicious head of theft is stopp'd ; Love's feeling is more soft and sensible, Than are the tender horns of cockled* snails...
Página 14 - When to the sessions of sweet silent thought I summon up remembrance of things past, I sigh the lack of many a thing I sought, And with old woes new wail my dear time's waste...
Página 19 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand...
Página 303 - Gratiano speaks an infinite deal of nothing, more than any man in all Venice. His reasons are as two grains of wheat hid in two bushels of chaff : you shall seek all day ere you find them, and when you have them, they are not worth the search.
Página 46 - Stranger! henceforth be warned; and know, that pride, Howe'er disguised in its own majesty, Is littleness ; that he who feels contempt For any living thing, hath faculties Which he has never used ; that thought with him Is in its infancy.
Página 20 - Anon permit the basest clouds to ride With ugly rack on his celestial face, And from the forlorn world his visage hide, Stealing unseen to west with this disgrace.
Página 15 - They were but sweet, but figures of delight, Drawn after you, you pattern of all those. Yet seem'd it winter still, and, you away, As with your shadow I with these did play.
Referências a este livro
The Unfortunate Comedy: A Study of All's Well that Ends Well and Its Critics Joseph G. Price Visualização de excertos - 1968 |
Shakespeare, Medicine and Psychiatry: An Historical Study in Criticism and ... Irving Iskowitz Edgar Visualização de excertos - 1970 |