Dramatic Theory and Criticism: Greeks to GrotowskiHolt, Rinehart and Winston, 1974 - 1003 páginas |
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Página 929
... become members of these organizations . Publishing and distributing centers , bookshops and reading- rooms ... become aware of this new problem , specify it clearly and everywhere set about solving it . Emerging from the captivity of the ...
... become members of these organizations . Publishing and distributing centers , bookshops and reading- rooms ... become aware of this new problem , specify it clearly and everywhere set about solving it . Emerging from the captivity of the ...
Página 935
... become greater and more intense in direct proportion to the greatness and intensity of the outwardly opposing forces . And since the hero now is confronted not only with many more external factors than formerly , but also by actions ...
... become greater and more intense in direct proportion to the greatness and intensity of the outwardly opposing forces . And since the hero now is confronted not only with many more external factors than formerly , but also by actions ...
Página 941
... become an inner event and can follow only from the character - if , indeed , all is not so infinitely far from the nature of the concerned that they become incapable of dramatic action ( as Oswald , Rank ) -its intensity must be ...
... become an inner event and can follow only from the character - if , indeed , all is not so infinitely far from the nature of the concerned that they become incapable of dramatic action ( as Oswald , Rank ) -its intensity must be ...
Índice
The Art of Poetry | 67 |
On the Sublime | 76 |
GIOVANNI BOCCACCIO 103 The Genealogy of the Gentile Gods | 112 |
Direitos de autor | |
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Dramatic Theory and Criticism: Greeks to Grotowski Bernard Frank Dukore,Bernard F. Dukore Visualização de excertos - 1974 |
Dramatic Theory and Criticism: Greeks to Grotowski Bernard Frank Dukore,Bernard F. Dukore Visualização de excertos - 1974 |
Palavras e frases frequentes
absurd action actors Aeschylus ancient Aristophanes Aristotle artist audience beautiful bourgeois tragedy character Chorus comedy comic contrary Corneille Creon critics delight DIONYSUS drama dramatist effect emotions epic Epic poetry esthetic Euripides excite expression fear feeling fiction French FRIEND give Goethe Greek happy hero honor human Iago idea imagination imitation interest kind language laugh laughter manner means merely mind misfortune modern Molière moral nature never object observed Oedipus Othello pain passion Peripeteia person Philoctetes pity Plato Plautus play pleasure plot poem poet poetical poetry produce reason representation represented ridiculous romantic rules Samuel Taylor Coleridge scene sense sentiments Shakespeare Sophocles sorrow soul speak spectator spirit stage story sublime suffering theatre things thought three unities tion tragedy tragic tragicomedy translated true truth unity verse vice virtue well-made play whole words write