Dramatic Theory and Criticism: Greeks to GrotowskiHolt, Rinehart and Winston, 1974 - 1003 páginas |
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Página 813
... force of this drama , which has two heroes , the two lovers . . From the examples cited , it is evident that this force of the action treads the stage under very diverse forms . It may fill a complete scene ; it may be comprised in a ...
... force of this drama , which has two heroes , the two lovers . . From the examples cited , it is evident that this force of the action treads the stage under very diverse forms . It may fill a complete scene ; it may be comprised in a ...
Página 816
... force must first receive attention . This beginning of the downward movement is best connected with the climax , and separated from the following forces of the counterplay to which it belongs by a division - our close of an act ; and ...
... force must first receive attention . This beginning of the downward movement is best connected with the climax , and separated from the following forces of the counterplay to which it belongs by a division - our close of an act ; and ...
Página 935
... force of external factors ) , the more the center of tragic conflict is drawn inward ; it becomes internalized , more exclusively a conflict in the spirit . For up to a certain limit , the inner powers of resistance upon which the ...
... force of external factors ) , the more the center of tragic conflict is drawn inward ; it becomes internalized , more exclusively a conflict in the spirit . For up to a certain limit , the inner powers of resistance upon which the ...
Índice
The Art of Poetry | 67 |
On the Sublime | 76 |
GIOVANNI BOCCACCIO 103 The Genealogy of the Gentile Gods | 112 |
Direitos de autor | |
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Dramatic Theory and Criticism: Greeks to Grotowski Bernard Frank Dukore,Bernard F. Dukore Visualização de excertos - 1974 |
Dramatic Theory and Criticism: Greeks to Grotowski Bernard Frank Dukore,Bernard F. Dukore Visualização de excertos - 1974 |
Palavras e frases frequentes
absurd action actors Aeschylus ancient Aristophanes Aristotle artist audience beautiful bourgeois tragedy character Chorus comedy comic contrary Corneille Creon critics delight DIONYSUS drama dramatist effect emotions epic Epic poetry esthetic Euripides excite expression fear feeling fiction French FRIEND give Goethe Greek happy hero honor human Iago idea imagination imitation interest kind language laugh laughter manner means merely mind misfortune modern Molière moral nature never object observed Oedipus Othello pain passion Peripeteia person Philoctetes pity Plato Plautus play pleasure plot poem poet poetical poetry produce reason representation represented ridiculous romantic rules Samuel Taylor Coleridge scene sense sentiments Shakespeare Sophocles sorrow soul speak spectator spirit stage story sublime suffering theatre things thought three unities tion tragedy tragic tragicomedy translated true truth unity verse vice virtue well-made play whole words write