Dramatic Theory and Criticism: Greeks to GrotowskiHolt, Rinehart and Winston, 1974 - 1003 páginas |
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Página 810
... hero to succumb to its irresistible force . The end of the piece follows this catastrophe immediately , the situation where the restoration of peace and quiet after strife becomes apparent . With this arrangement , first the inception ...
... hero to succumb to its irresistible force . The end of the piece follows this catastrophe immediately , the situation where the restoration of peace and quiet after strife becomes apparent . With this arrangement , first the inception ...
Página 813
... hero . In both cases , its position helps to fix the char- acter of the piece ; in Othello , where the counterplay leads at the conclusion of a long introduction ; in Richard III , where the villain alone rules in the first scene . In ...
... hero . In both cases , its position helps to fix the char- acter of the piece ; in Othello , where the counterplay leads at the conclusion of a long introduction ; in Richard III , where the villain alone rules in the first scene . In ...
Página 825
... hero , almost in the language of Homer .... It is an unimpeachable tradition that in its earliest form Greek tragedy records only the sufferings of Dionysos , and that he was the only actor . But it may be claimed with equal justice ...
... hero , almost in the language of Homer .... It is an unimpeachable tradition that in its earliest form Greek tragedy records only the sufferings of Dionysos , and that he was the only actor . But it may be claimed with equal justice ...
Índice
The Art of Poetry | 67 |
On the Sublime | 76 |
GIOVANNI BOCCACCIO 103 The Genealogy of the Gentile Gods | 112 |
Direitos de autor | |
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Dramatic Theory and Criticism: Greeks to Grotowski Bernard Frank Dukore,Bernard F. Dukore Visualização de excertos - 1974 |
Dramatic Theory and Criticism: Greeks to Grotowski Bernard Frank Dukore,Bernard F. Dukore Visualização de excertos - 1974 |
Palavras e frases frequentes
absurd action actors Aeschylus ancient Aristophanes Aristotle artist audience beautiful bourgeois tragedy character Chorus comedy comic contrary Corneille Creon critics delight DIONYSUS drama dramatist effect emotions epic Epic poetry esthetic Euripides excite expression fear feeling fiction French FRIEND give Goethe Greek happy hero honor human Iago idea imagination imitation interest kind language laugh laughter manner means merely mind misfortune modern Molière moral nature never object observed Oedipus Othello pain passion Peripeteia person Philoctetes pity Plato Plautus play pleasure plot poem poet poetical poetry produce reason representation represented ridiculous romantic rules Samuel Taylor Coleridge scene sense sentiments Shakespeare Sophocles sorrow soul speak spectator spirit stage story sublime suffering theatre things thought three unities tion tragedy tragic tragicomedy translated true truth unity verse vice virtue well-made play whole words write