Dramatic Theory and Criticism: Greeks to GrotowskiHolt, Rinehart and Winston, 1974 - 1003 páginas |
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Página 465
... imagination . But as imagination , through the medium of its wants , cannot give orders to the will of the individual , as reason does by its imperative character , it follows that the faculty of freedom , in relation to imagination ...
... imagination . But as imagination , through the medium of its wants , cannot give orders to the will of the individual , as reason does by its imperative character , it follows that the faculty of freedom , in relation to imagination ...
Página 467
... imagination from its own legitimate sphere . Either it would be necessary to subject it entirely , then there would be an end to all esthetic effect ; or it would share the realm of reason , then morality would not gain much . For if we ...
... imagination from its own legitimate sphere . Either it would be necessary to subject it entirely , then there would be an end to all esthetic effect ; or it would share the realm of reason , then morality would not gain much . For if we ...
Página 660
... imagination of these fine people . Anyone who has lived in real intimacy with the Irish peasantry will know that the wildest sayings and ideas in this play are tame indeed , compared with the fancies one may hear in any little hillside ...
... imagination of these fine people . Anyone who has lived in real intimacy with the Irish peasantry will know that the wildest sayings and ideas in this play are tame indeed , compared with the fancies one may hear in any little hillside ...
Índice
The Art of Poetry | 67 |
On the Sublime | 76 |
GIOVANNI BOCCACCIO 103 The Genealogy of the Gentile Gods | 112 |
Direitos de autor | |
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Dramatic Theory and Criticism: Greeks to Grotowski Bernard Frank Dukore,Bernard F. Dukore Visualização de excertos - 1974 |
Dramatic Theory and Criticism: Greeks to Grotowski Bernard Frank Dukore,Bernard F. Dukore Visualização de excertos - 1974 |
Palavras e frases frequentes
absurd action actors Aeschylus ancient Aristophanes Aristotle artist audience beautiful bourgeois tragedy character Chorus comedy comic contrary Corneille Creon critics delight DIONYSUS drama dramatist effect emotions epic Epic poetry esthetic Euripides excite expression fear feeling fiction French FRIEND give Goethe Greek happy hero honor human Iago idea imagination imitation interest kind language laugh laughter manner means merely mind misfortune modern Molière moral nature never object observed Oedipus Othello pain passion Peripeteia person Philoctetes pity Plato Plautus play pleasure plot poem poet poetical poetry produce reason representation represented ridiculous romantic rules Samuel Taylor Coleridge scene sense sentiments Shakespeare Sophocles sorrow soul speak spectator spirit stage story sublime suffering theatre things thought three unities tion tragedy tragic tragicomedy translated true truth unity verse vice virtue well-made play whole words write