Dramatic Theory and Criticism: Greeks to GrotowskiHolt, Rinehart and Winston, 1974 - 1003 páginas |
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Página 301
... interest of the heart , the true relation , is therefore always between Man and Man and not between Man and King . And thus , exalted rank , far from increasing my interest in tragic characters , diminishes it . The closer the suffering ...
... interest of the heart , the true relation , is therefore always between Man and Man and not between Man and King . And thus , exalted rank , far from increasing my interest in tragic characters , diminishes it . The closer the suffering ...
Página 466
... interest of reason , which requires every action to be really conformable with the idea of good . But it rests on the interest of the imagination , which requires con- formity with good should be possible , or , in other terms , that no ...
... interest of reason , which requires every action to be really conformable with the idea of good . But it rests on the interest of the imagination , which requires con- formity with good should be possible , or , in other terms , that no ...
Página 555
... interest it can have to see remorse delineated on the stage , but again the psychological interest is not the esthetic . This is part of the confusion which in our age asserts itself in so many ways : we look for a thing where we ought ...
... interest it can have to see remorse delineated on the stage , but again the psychological interest is not the esthetic . This is part of the confusion which in our age asserts itself in so many ways : we look for a thing where we ought ...
Índice
The Art of Poetry | 67 |
On the Sublime | 76 |
GIOVANNI BOCCACCIO 103 The Genealogy of the Gentile Gods | 112 |
Direitos de autor | |
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Dramatic Theory and Criticism: Greeks to Grotowski Bernard Frank Dukore,Bernard F. Dukore Visualização de excertos - 1974 |
Dramatic Theory and Criticism: Greeks to Grotowski Bernard Frank Dukore,Bernard F. Dukore Visualização de excertos - 1974 |
Palavras e frases frequentes
absurd action actors Aeschylus ancient Aristophanes Aristotle artist audience beautiful bourgeois tragedy character Chorus comedy comic contrary Corneille Creon critics delight DIONYSUS drama dramatist effect emotions epic Epic poetry esthetic Euripides excite expression fear feeling fiction French FRIEND give Goethe Greek happy hero honor human Iago idea imagination imitation interest kind language laugh laughter manner means merely mind misfortune modern Molière moral nature never object observed Oedipus Othello pain passion Peripeteia person Philoctetes pity Plato Plautus play pleasure plot poem poet poetical poetry produce reason representation represented ridiculous romantic rules Samuel Taylor Coleridge scene sense sentiments Shakespeare Sophocles sorrow soul speak spectator spirit stage story sublime suffering theatre things thought three unities tion tragedy tragic tragicomedy translated true truth unity verse vice virtue well-made play whole words write