Dramatic Theory and Criticism: Greeks to GrotowskiHolt, Rinehart and Winston, 1974 - 1003 páginas |
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Página 125
... necessary . The other parts are much more necessary , because without them Comedy cannot even be written . In composing a comedy it is first necessary to invent the matter which is to be written ; this comprises the Plot ( fabula ) ...
... necessary . The other parts are much more necessary , because without them Comedy cannot even be written . In composing a comedy it is first necessary to invent the matter which is to be written ; this comprises the Plot ( fabula ) ...
Página 126
... necessary . Not every speech expresses Character , as , for example , speeches in math- ematics , medicine , physiology , dialectics . Since it is necessary to express thoughts by means of speech ( oratio ) , it is therefore necessary ...
... necessary . Not every speech expresses Character , as , for example , speeches in math- ematics , medicine , physiology , dialectics . Since it is necessary to express thoughts by means of speech ( oratio ) , it is therefore necessary ...
Página 245
... necessary to the performing of those things which are to be exposed to the knowledge of the spectators from the first to the last act of the play . . . . The three Greek tragics , Aeschylus , Euripides , and Sophocles , allow but a few ...
... necessary to the performing of those things which are to be exposed to the knowledge of the spectators from the first to the last act of the play . . . . The three Greek tragics , Aeschylus , Euripides , and Sophocles , allow but a few ...
Índice
The Art of Poetry | 67 |
On the Sublime | 76 |
GIOVANNI BOCCACCIO 103 The Genealogy of the Gentile Gods | 112 |
Direitos de autor | |
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Dramatic Theory and Criticism: Greeks to Grotowski Bernard Frank Dukore,Bernard F. Dukore Visualização de excertos - 1974 |
Dramatic Theory and Criticism: Greeks to Grotowski Bernard Frank Dukore,Bernard F. Dukore Visualização de excertos - 1974 |
Palavras e frases frequentes
absurd action actors Aeschylus ancient Aristophanes Aristotle artist audience beautiful bourgeois tragedy character Chorus comedy comic contrary Corneille Creon critics delight DIONYSUS drama dramatist effect emotions epic Epic poetry esthetic Euripides excite expression fear feeling fiction French FRIEND give Goethe Greek happy hero honor human Iago idea imagination imitation interest kind language laugh laughter manner means merely mind misfortune modern Molière moral nature never object observed Oedipus Othello pain passion Peripeteia person Philoctetes pity Plato Plautus play pleasure plot poem poet poetical poetry produce reason representation represented ridiculous romantic rules Samuel Taylor Coleridge scene sense sentiments Shakespeare Sophocles sorrow soul speak spectator spirit stage story sublime suffering theatre things thought three unities tion tragedy tragic tragicomedy translated true truth unity verse vice virtue well-made play whole words write