Dramatic Theory and Criticism: Greeks to GrotowskiHolt, Rinehart and Winston, 1974 - 1003 páginas |
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Página 472
... spirit to the free play of all its faculties . . . . Art has for its object not merely to afford a transient pleasure , to excite to a momentary dream of liberty ; its aim is to make us absolutely free ; and this it accomplishes by ...
... spirit to the free play of all its faculties . . . . Art has for its object not merely to afford a transient pleasure , to excite to a momentary dream of liberty ; its aim is to make us absolutely free ; and this it accomplishes by ...
Página 527
... spirit cannot rest with this form , which is not its com- plete realization . To reach this perfect realization , spirit must pass be- yond the classic form , must arrive at a pure spirituality , which , returning upon itself , descends ...
... spirit cannot rest with this form , which is not its com- plete realization . To reach this perfect realization , spirit must pass be- yond the classic form , must arrive at a pure spirituality , which , returning upon itself , descends ...
Página 713
... spirit of truth . I will remark here that the evolution of each century is of necessity incarnated in a particular form of literature . Thus the seventeenth century evidently incarnated itself in the dramatic formula . Our theatre threw ...
... spirit of truth . I will remark here that the evolution of each century is of necessity incarnated in a particular form of literature . Thus the seventeenth century evidently incarnated itself in the dramatic formula . Our theatre threw ...
Índice
The Art of Poetry | 67 |
On the Sublime | 76 |
GIOVANNI BOCCACCIO 103 The Genealogy of the Gentile Gods | 112 |
Direitos de autor | |
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Dramatic Theory and Criticism: Greeks to Grotowski Bernard Frank Dukore,Bernard F. Dukore Visualização de excertos - 1974 |
Dramatic Theory and Criticism: Greeks to Grotowski Bernard Frank Dukore,Bernard F. Dukore Visualização de excertos - 1974 |
Palavras e frases frequentes
absurd action actors Aeschylus ancient Aristophanes Aristotle artist audience beautiful bourgeois tragedy character Chorus comedy comic contrary Corneille Creon critics delight DIONYSUS drama dramatist effect emotions epic Epic poetry esthetic Euripides excite expression fear feeling fiction French FRIEND give Goethe Greek happy hero honor human Iago idea imagination imitation interest kind language laugh laughter manner means merely mind misfortune modern Molière moral nature never object observed Oedipus Othello pain passion Peripeteia person Philoctetes pity Plato Plautus play pleasure plot poem poet poetical poetry produce reason representation represented ridiculous romantic rules Samuel Taylor Coleridge scene sense sentiments Shakespeare Sophocles sorrow soul speak spectator spirit stage story sublime suffering theatre things thought three unities tion tragedy tragic tragicomedy translated true truth unity verse vice virtue well-made play whole words write