Dramatic Theory and Criticism: Greeks to GrotowskiHolt, Rinehart and Winston, 1974 - 1003 páginas |
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Página 457
... suffering implies a man in the full sense of the term . A pure spirit cannot suffer , and a man approaching one will never awaken a high degree of sympathy . A purely sensuous being can indeed have terrible suffering ; but without moral ...
... suffering implies a man in the full sense of the term . A pure spirit cannot suffer , and a man approaching one will never awaken a high degree of sympathy . A purely sensuous being can indeed have terrible suffering ; but without moral ...
Página 461
... suffering in the most vivid manner . They forget that suffering in itself can never be the last end of imitation , nor the immediate source of the pleasure we experience in tragedy . The pathetic only has esthetic value in as far as it ...
... suffering in the most vivid manner . They forget that suffering in itself can never be the last end of imitation , nor the immediate source of the pleasure we experience in tragedy . The pathetic only has esthetic value in as far as it ...
Página 462
... suffering , to interest our sensuous nature ; second , moral liberty , to interest our spiritual nature . All portraiture in which the expression of suffering nature is wanting remains without esthetic action , and our heart is ...
... suffering , to interest our sensuous nature ; second , moral liberty , to interest our spiritual nature . All portraiture in which the expression of suffering nature is wanting remains without esthetic action , and our heart is ...
Índice
The Art of Poetry | 67 |
On the Sublime | 76 |
GIOVANNI BOCCACCIO 103 The Genealogy of the Gentile Gods | 112 |
Direitos de autor | |
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Dramatic Theory and Criticism: Greeks to Grotowski Bernard Frank Dukore,Bernard F. Dukore Visualização de excertos - 1974 |
Dramatic Theory and Criticism: Greeks to Grotowski Bernard Frank Dukore,Bernard F. Dukore Visualização de excertos - 1974 |
Palavras e frases frequentes
absurd action actors Aeschylus ancient Aristophanes Aristotle artist audience beautiful bourgeois tragedy character Chorus comedy comic contrary Corneille Creon critics delight DIONYSUS drama dramatist effect emotions epic Epic poetry esthetic Euripides excite expression fear feeling fiction French FRIEND give Goethe Greek happy hero honor human Iago idea imagination imitation interest kind language laugh laughter manner means merely mind misfortune modern Molière moral nature never object observed Oedipus Othello pain passion Peripeteia person Philoctetes pity Plato Plautus play pleasure plot poem poet poetical poetry produce reason representation represented ridiculous romantic rules Samuel Taylor Coleridge scene sense sentiments Shakespeare Sophocles sorrow soul speak spectator spirit stage story sublime suffering theatre things thought three unities tion tragedy tragic tragicomedy translated true truth unity verse vice virtue well-made play whole words write