Dramatic Theory and Criticism: Greeks to GrotowskiHolt, Rinehart and Winston, 1974 - 1003 páginas |
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Página 281
... verse will always be made use of in tragedy , rhymed verse in ours . It is even to this constraint of rhyme , and the extreme severity of our versification , that we are indebted for the most excellent performances in our language . We ...
... verse will always be made use of in tragedy , rhymed verse in ours . It is even to this constraint of rhyme , and the extreme severity of our versification , that we are indebted for the most excellent performances in our language . We ...
Página 332
... verse be nearest to ordinary conversation . It still remains for him to prove his inference ; that , since verse is granted to be more remote than prose from ordinary conversation , therefore no serious plays ought to be writ in verse ...
... verse be nearest to ordinary conversation . It still remains for him to prove his inference ; that , since verse is granted to be more remote than prose from ordinary conversation , therefore no serious plays ought to be writ in verse ...
Página 386
... verse in the Greek tongue was the most proper for tragedy ; because , at the same time that it lifted up the discourse from prose , it was that which approached nearer to it than any other kind of verse . For , says he , we may observe ...
... verse in the Greek tongue was the most proper for tragedy ; because , at the same time that it lifted up the discourse from prose , it was that which approached nearer to it than any other kind of verse . For , says he , we may observe ...
Índice
The Art of Poetry | 67 |
On the Sublime | 76 |
GIOVANNI BOCCACCIO 103 The Genealogy of the Gentile Gods | 112 |
Direitos de autor | |
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Dramatic Theory and Criticism: Greeks to Grotowski Bernard Frank Dukore,Bernard F. Dukore Visualização de excertos - 1974 |
Dramatic Theory and Criticism: Greeks to Grotowski Bernard Frank Dukore,Bernard F. Dukore Visualização de excertos - 1974 |
Palavras e frases frequentes
absurd action actors Aeschylus ancient Aristophanes Aristotle artist audience beautiful bourgeois tragedy character Chorus comedy comic contrary Corneille Creon critics delight DIONYSUS drama dramatist effect emotions epic Epic poetry esthetic Euripides excite expression fear feeling fiction French FRIEND give Goethe Greek happy hero honor human Iago idea imagination imitation interest kind language laugh laughter manner means merely mind misfortune modern Molière moral nature never object observed Oedipus Othello pain passion Peripeteia person Philoctetes pity Plato Plautus play pleasure plot poem poet poetical poetry produce reason representation represented ridiculous romantic rules Samuel Taylor Coleridge scene sense sentiments Shakespeare Sophocles sorrow soul speak spectator spirit stage story sublime suffering theatre things thought three unities tion tragedy tragic tragicomedy translated true truth unity verse vice virtue well-made play whole words write