jurious to the subject. It is time to give a few passages in illustration of this account. He thus opens his mind at the beginning: "How am I glutted with conceit of this? Shall I make spirits fetch me what I please? Perform what desperate enterprise I will? And search all corners of the new-found world, Enter Valdes and Cornelius. Come, German Valdes, and Cornelius, And make me blest with your sage Valdes, sweet Valdes, and Cornelius, conference. Know that your words have won me at the last, Philosophy is odious and obscure ; Both Law and Physic are for petty wits; "Tis magic, magic, that hath ravish'd me. Then, gentle friends, aid me in this attempt; Whose shadow made all Europe honour him. Valdes. These books, thy wit, and our experience Shall make all nations to canonize us. As Indian Moors obey their Spanish lords, So shall the Spirits of every element Be always serviceable to us three. Like lions shall they guard us when we please ; Faustus. As resolute am I in this As thou to live, therefore object it not." In his colloquy with the fallen angel, he shews the fixedness of his determination: "What is great Mephostophilis so passionate * An anachronism. Yet we afterwards find him faltering in his resolution, and struggling with the extremity of his fate. "My heart is harden'd, I cannot repent: Scarce can I name salvation, faith, or heaven : And hath not he that built the walls of Thebes There is one passage more of this kind, which is so striking and beautiful, so like a rapturous and deeply passionate dream, that I cannot help quoting it here: it is the address to the Apparition of Helen. "Enter Helen again, passing over between two Cupids. Faustus. Was this the face that launch'd a thousand ships, And burnt the topless tow'rs of Ilium? Sweet Helen, make me immortal with a kiss. And all is dross that is not Helena. I will be Paris, and for love of thee, And none but thou shalt be my paramour." The ending of the play is terrible, and his last exclamations betray an anguish of mind and vehemence of passion, not to be contemplated without shuddering. "Oh, Faustus! Now hast thou but one bare hour to live, That Faustus may repent, and save his soul. (The Clock strikes Twelve.) It strikes, it strikes! Now, body, turn to air, (Thunder. Enter the Devils.) Oh! mercy, Heav'n! Look not so fierce on me! Perhaps the finest trait in the whole play, and that which softens and subdues the horror of it, is the interest taken by the two scholars in the fate of their master, and their unavailing attempts to dissuade him from his relentless career. The regard to learning is the ruling passion of this drama; and its indications are as mild and amiable in them as its ungoverned pursuit has been fatal to Faustus. "Yet, for he was a scholar once admir'd For wondrous knowledge in our German schools, We'll give his mangled limbs due burial; And all the students, clothed in mourning black, Shall wait upon his heavy funeral.” So the Chorus: "Cut is the branch that might have grown full strait, And burned is Apollo's laurel bough, That sometime grew within this learned man.” And still more affecting are his own conflicts of mind and agonizing doubts on this subject just before, when he exclaims to his friends; “Oh, gentlemen! Hear me with patience, and |