An Essay on the Genius of Shakespeare: With Critical Remarks on the Characters of Romeo, Hamlet, Juliet, and Ophelia ; Together with Some Observations on the Writings of Sir Walter Scott. To which is Annexed, A Letter to Lord -----, Containing a Critique on Taste, Judgment, and Rhetorical Expression, and Remarks on the Leading Actors of the Day ...J. Bigg, 1826 - 206 páginas |
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... - vant in the epistolary style , I shall allow it to be perused exactly as it was originally written , and have only to blame myself , if the critic should treat it harshly . AN ESSAY ON THE GENIUS OF SHAKESPEARE , & c viii ADVERTISEMENT .
... - vant in the epistolary style , I shall allow it to be perused exactly as it was originally written , and have only to blame myself , if the critic should treat it harshly . AN ESSAY ON THE GENIUS OF SHAKESPEARE , & c viii ADVERTISEMENT .
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... style of poetry . The play I am now speaking of is the most eloquent instance of it . I here remark that since the death of this divine bard , there have been but two poets that have completely succeeded in this amatory style- Byron and ...
... style of poetry . The play I am now speaking of is the most eloquent instance of it . I here remark that since the death of this divine bard , there have been but two poets that have completely succeeded in this amatory style- Byron and ...
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... style between some of the songs of Moore's great admirer ( Byron ) and the Dirge in the last act of Romeo and Juliet . If the critic looks attentively at both , he will find a striking similarity . Were I to proceed further with these ...
... style between some of the songs of Moore's great admirer ( Byron ) and the Dirge in the last act of Romeo and Juliet . If the critic looks attentively at both , he will find a striking similarity . Were I to proceed further with these ...
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... style . Instead of the ex- pressive silence of grief , the suppressed sigh , the half uttered groan , the concise and piercing ex- 1 1 clamation that breaks from the wounded heart , we 62 ESSAY ON SHAKESPEARE . throw together a splendid ...
... style . Instead of the ex- pressive silence of grief , the suppressed sigh , the half uttered groan , the concise and piercing ex- 1 1 clamation that breaks from the wounded heart , we 62 ESSAY ON SHAKESPEARE . throw together a splendid ...
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... style the expanded nothingness - and the ridiculous pictures of never seen life . It is to the reading of such works therefore , that we may trace in a great measure that frivolity of employment - that imbecility and vacuity of mind ...
... style the expanded nothingness - and the ridiculous pictures of never seen life . It is to the reading of such works therefore , that we may trace in a great measure that frivolity of employment - that imbecility and vacuity of mind ...
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An Essay on the Genius of Shakespeare: With Critical Remarks on the ... Henry Mercer Graves Visualização de excertos - 1826 |
Palavras e frases frequentes
acting actor appear beautiful biped bright eye brilliant Byron character charm colouring comedy countenance Covent Garden critic delightful divine Doricourt drama drawing-room eloquent eminently English language evince exquisite favourite feel fond Garrick genius gentleman give graceful groundlings Hamlet hand harp heard heart Highflyer humour infinitely inimitable insi insinuating instantly Juliet Kean Kemble Lady lips look Lord Lordship manner Mark melody Michael Cassio mighty mind Mirabel nature never night once Ophelia orator Othello painting passion perceive perform perhaps person play poet poetry Polonius possess powerful present day racter Ranting reader remark reply rhetorical expression Romeo Romeo and Juliet scene School for Scandal seen Shakespeare speak speech stage style suasive sweet talent taste and judgment tell Thalia theatre thee thing thou tion tones touch uncon voice wish woman words would-be would-be's write
Passagens conhecidas
Página 14 - Thou know'st the mask of night is on my face, Else would a maiden blush bepaint my cheek For that which thou hast heard me speak to-night. Fain would I dwell on form, fain, fain deny What I have spoke: but farewell compliment! Dost thou love me? I know thou wilt say 'Ay,' And I will take thy word: yet, if thou swear'st, Thou mayst prove false: at lovers' perjuries, They say, Jove laughs.
Página 60 - The observed of all observers, quite, quite down! And I, of ladies most deject and wretched, That sucked the honey of his music vows, Now see that noble and most sovereign reason, Like sweet bells jangled, out of tune and harsh ; That unmatched form and feature of blown youth Blasted with ecstasy.
Página 140 - ... twere, the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure. Now this overdone, or come tardy off, though it make the unskilful laugh, cannot but make the judicious grieve; the censure of which one must in your allowance o'erweigh a whole theatre of others.
Página 140 - ... accent of Christians nor the gait of Christian, pagan, nor man, have so strutted and bellowed that I have thought some of Nature's journeymen had made men and not made them well, they imitated humanity so abominably.
Página 12 - What's in a name? that which we call a rose By any other name would smell as sweet; So Romeo would, were he not Romeo call'd, Retain that dear perfection which he owes Without that title. Romeo, doff thy name, And for that name which is no part of thee Take all myself.
Página 15 - I should have been more strange, I must confess, But that thou overheard'st, ere I was ware, My true love's passion: therefore pardon me, And not impute this yielding to light love, Which the dark night hath so discovered.
Página 15 - My bounty is as boundless as the sea, My love as deep; the more I give to thee, The more I have, for both are infinite.
Página 21 - Wilt thou be gone ? it is not yet near day. It was the nightingale, and not the lark, That pierced the fearful hollow of thine ear; Nightly she sings on yon pomegranate tree. Believe me, love, it was the nightingale.
Página 39 - With this regard, their currents turn awry, And lose the name of action. — Soft you, now ! The fair Ophelia : — Nymph, in thy orisons Be all my sins remembered.
Página 15 - O, swear not by the moon, the inconstant moon, That monthly changes in her circled orb, Lest that thy love prove likewise variable.