By pangs that can't reach you-and blisses that can— And, oh! by your ultimate hope of a man, Affectionate, tender, and constant-and true; Give me all your grave councils-say, what should I DO? Tho' 'tis settled already :-oh, pardon my folly, DOLLY. LETTER X. FROM ACERBUS SKETCH, ESQ. TO Boarding House, Cheltenham, 1820. NOT for the richest, rarest gem And gentle form as e'er was laid To her last peaceful slumber gone No-lady! No-weep on, weep on, Like the lone flower, grief's vigil keeping, That sinks in tears, as sinks the sun, And with him rises weeping!— But lo! where comes with gentle mien The charm and grace of every scene, The good, kind Lady F Delights that solace to impart whose heart Which friendship's zeal alone can pour A heart to feel for others' woe- And see to chase away the beam Of rapture waked by such a theme, The gallant chieftain of the North Comes with most wayward impulse* forth Ingenious, humourous and proud,† The "whim-inspired," the good M▬▬d— An indefatigable scribe But far more famous, far more known, Great with the great-but condescending, Himself and his own rights alone, *Ceux qui le connoissent savent qu'il est impossible d'etre plus etranger à toute espèce du calcul; ses actions sont toujours l'effet d'un mouvement spontane: il comprend les choses et les hommes par une inspiration soudaine, et l'eclair plus encore que le jour, semble lui servir de guide." DE STAEL. "An ingenious person, but proud and humourous.” WOOD's character of Henry Vaughan. "This gentleman was famous as any in his age for indifferent metre; but his acquaintance with the nobility was more than with the muses."- LANGBAINE's character of R. Fleckno. |