HARMONY, COUNTERPOINT, CANON, AND FUGUE.

THIRD YEAR.

Mr. W. A. Laver.

1. Write out a few of Wagner's harmonic inventions, and explain them.

2. Write examples (original) of Diatonic, Chromatic, and Enharmonic Modulations from

C# Minor to Gb Major.

B Major to Eb Minor.

3. Compose a short original Canon

(a) In the Octave;

(b) In the Fifth;

With two Free parts.

4. Write a fully developed Fugue in four parts on an original subject, or on one of the following, using freely double counterpoint in the octave :—

COUNTERPOINT.

FIRST YEAR (DIPLOMA AND DEGREE).

Mr. W. A. Laver.

TWO-PART COUNTERPOINT.

1. Write a Counterpoint (a) two notes below, and (b) four notes above the following Cantus. Firmus :

2. Write (a) a Florid part above, and (b) a Florid part below; transpose the Cantus Firmus into the Soprano C Clef in doing (b) exercise:

THREE-PART COUNTERPOINT.

3. Write two notes above and four notes below the following Cantus Firmus :

COUNTERPOINT.

SECOND YEAR.

Mr. W. A. Laver.

1. Write two Free parts above, and one part of four equal notes below the following Cantus Firmus:

2. Write Soprano, Alto, and Bass parts in Florid Counterpoint against the following C.F. in the

Tenor: