Aesthetics and CriticismRoutledge & Paul, 1955 - 341 páginas |
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Página 2
... According to this view of criticism the professional critic merely makes articulate and renders coherent the germinal criticism which is latent in every appreciative contact with works of art . This is an oversimplification which ...
... According to this view of criticism the professional critic merely makes articulate and renders coherent the germinal criticism which is latent in every appreciative contact with works of art . This is an oversimplification which ...
Página 154
... according as it is a more or less exact reduplication of the emotional experience which occurred in the artist's mind and which was embodied by him in his work of art . The critic's function is that of a guide to other men and his job ...
... according as it is a more or less exact reduplication of the emotional experience which occurred in the artist's mind and which was embodied by him in his work of art . The critic's function is that of a guide to other men and his job ...
Página 180
... according to their practical significance and in doing so know them no longer in experience . We see ' not individual things but stock types ' . Therefore ' between nature and ourselves , even between ourselves and our own consciousness ...
... according to their practical significance and in doing so know them no longer in experience . We see ' not individual things but stock types ' . Therefore ' between nature and ourselves , even between ourselves and our own consciousness ...
Índice
THE CRAFT OF CRITICISM | 5 |
APOLOGIA FOR AESTHETICS | 24 |
ILLUSIONISM | 48 |
Direitos de autor | |
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Palavras e frases frequentes
abstract actual aesthetic aesthetic objects aesthetic wholes aesthetician appreciation Aristotle aroused artefacts artistic excellence assessment assumption attention attitude awareness become believe claim Clive Bell colour communicate completely conception configuration conscious criterion describe doctrine effect emotional essay exists expression Expressionism Expressionist Expressionist theory Ezra Pound F. R. Leavis fact feeling human I. A. Richards ideas imagination imitation influence judge judgement L. A. Reid language less literary art literary criticism literary excellence literature logical means mental mind mode modern moral mystical nature organic unity organic whole painter painting perception person philosophical picture pleasure poem poet poetic poetry practical criticism precision principle prose psychology reader realistic reality reason recording rhythm Roger Fry seems sense sort sound structure symbols T. E. Hulme T. S. Eliot taste theory of art theory of beauty things thought tion true truth verbal visual experience words
Referências a este livro
Dancers Talking Dance: Critical Evaluation in the Choreography Class Larry Lavender Pré-visualização indisponível - 1996 |