Aesthetics and CriticismRoutledge & Paul, 1955 - 341 páginas |
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Página 18
... artefacts . All works of art are artefacts , but not all artefacts are works of art . There is much writing which is not literature , there exists building which makes no claim to be architecture and not all pictorial products make ...
... artefacts . All works of art are artefacts , but not all artefacts are works of art . There is much writing which is not literature , there exists building which makes no claim to be architecture and not all pictorial products make ...
Página 44
... artefacts , consisting of all those things which are produced by consciously directed human endeavour . All those things which anyone calls works of art belong to this class . But the class of things called artefacts is wider than the ...
... artefacts , consisting of all those things which are produced by consciously directed human endeavour . All those things which anyone calls works of art belong to this class . But the class of things called artefacts is wider than the ...
Página 45
... artefacts shall be those made for use and artistic artefacts shall be those made for enjoyment ; it is not possible because on the one hand there are non - useful artefacts ( children's toys , spirituous liquors ) which nobody wishes to ...
... artefacts shall be those made for use and artistic artefacts shall be those made for enjoyment ; it is not possible because on the one hand there are non - useful artefacts ( children's toys , spirituous liquors ) which nobody wishes to ...
Índice
THE CRAFT OF CRITICISM | 5 |
APOLOGIA FOR AESTHETICS | 24 |
ILLUSIONISM | 48 |
Direitos de autor | |
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Palavras e frases frequentes
abstract actual aesthetic aesthetic objects aesthetic wholes aesthetician appreciation Aristotle aroused artefacts artistic excellence assessment assumption attention attitude awareness become believe claim Clive Bell colour communicate completely conception configuration conscious criterion describe doctrine effect emotional ence essay exists expression Expressionism Expressionist Expressionist theory Ezra Pound F. R. Leavis fact feeling human I. A. Richards ideas imagination imitation influence judge judgement L. A. Reid language less literary art literary criticism literary excellence literature logical means mental mind mode moral mystical nature organic unity organic whole painter painting perception person philosophical picture pleasure poem poet poetic poetry practical criticism precision principle prose psychology reader Realism reality reason recording rhythm Roger Fry seems sense sort sound structure symbols T. E. Hulme T. S. Eliot taste theory of art theory of beauty things thought tion true truth verbal visual experience words
Referências a este livro
Dancers Talking Dance: Critical Evaluation in the Choreography Class Larry Lavender Pré-visualização indisponível - 1996 |