Aesthetics and CriticismRoutledge & Paul, 1955 - 341 páginas |
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Página 172
Harold Osborne. regarded as the peculiar and transcendent power of artistic creation . ” “ The artist ' , said Baudelaire , ' depends upon nobody but himself . He promises to the centuries to come nothing but his own works ; he ...
Harold Osborne. regarded as the peculiar and transcendent power of artistic creation . ” “ The artist ' , said Baudelaire , ' depends upon nobody but himself . He promises to the centuries to come nothing but his own works ; he ...
Página 221
... artist's brain takes pride of place . The pictures of the modern artist are not anecdotal and he no longer reproduces figures which express emotions by their attitudes and gestures . If he uses the human figure at all , he rather ...
... artist's brain takes pride of place . The pictures of the modern artist are not anecdotal and he no longer reproduces figures which express emotions by their attitudes and gestures . If he uses the human figure at all , he rather ...
Página 307
... artist , but it cannot be possible to make inferences from the un- known psychology of the artist to his work of art . Nor in general do critics feel themselves less capable of estimating the artistic merits of works when very little is ...
... artist , but it cannot be possible to make inferences from the un- known psychology of the artist to his work of art . Nor in general do critics feel themselves less capable of estimating the artistic merits of works when very little is ...
Índice
THE CRAFT OF CRITICISM | 5 |
APOLOGIA FOR AESTHETICS | 24 |
ILLUSIONISM | 48 |
Direitos de autor | |
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Palavras e frases frequentes
abstract actual aesthetic aesthetic objects aesthetic wholes aesthetician appreciation Aristotle aroused artefacts artistic excellence assessment assumption attention attitude awareness become believe claim Clive Bell colour communicate completely conception configuration conscious criterion describe doctrine effect emotional essay exists expression Expressionism Expressionist Expressionist theory Ezra Pound F. R. Leavis fact feeling human I. A. Richards ideas imagination imitation influence judge judgement L. A. Reid language less literary art literary criticism literary excellence literature logical means mental mind mode modern moral mystical nature organic unity organic whole painter painting perception person philosophical picture pleasure poem poet poetic poetry practical criticism precision principle prose psychology reader realistic reality reason recording rhythm Roger Fry seems sense sort sound structure symbols T. E. Hulme T. S. Eliot taste theory of art theory of beauty things thought tion true truth verbal visual experience words
Referências a este livro
Dancers Talking Dance: Critical Evaluation in the Choreography Class Larry Lavender Pré-visualização indisponível - 1996 |