Aesthetics and CriticismRoutledge & Paul, 1955 - 341 páginas |
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Página 244
... awareness ( or more accurately the objective content of an awareness ) . Except as actualized on successive occasions , a work of art only exists as a perduring potentiality . A work of visual art is actualized in appreciation as the ...
... awareness ( or more accurately the objective content of an awareness ) . Except as actualized on successive occasions , a work of art only exists as a perduring potentiality . A work of visual art is actualized in appreciation as the ...
Página 249
... awareness is concentrated upon the perceptual situation as it is presented , as the connoisseur savours the bouquet of a wine or the Chinese savour the qualities of jade . When you begin to attend to the sensations themselves , to see ...
... awareness is concentrated upon the perceptual situation as it is presented , as the connoisseur savours the bouquet of a wine or the Chinese savour the qualities of jade . When you begin to attend to the sensations themselves , to see ...
Página 250
... awareness directed to the whole field . And this statement that they are different things when attended to as parts of the whole and when attended to in isolation is not a metaphor but plain and literal truth . But only a field of ...
... awareness directed to the whole field . And this statement that they are different things when attended to as parts of the whole and when attended to in isolation is not a metaphor but plain and literal truth . But only a field of ...
Índice
THE CRAFT OF CRITICISM | 5 |
APOLOGIA FOR AESTHETICS | 24 |
ILLUSIONISM | 48 |
Direitos de autor | |
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Palavras e frases frequentes
abstract actual aesthetic aesthetic objects aesthetic wholes aesthetician appreciation Aristotle aroused artefacts artistic excellence assessment assumption attention attitude awareness become believe claim Clive Bell colour communicate completely conception configuration conscious criterion describe doctrine effect emotional essay exists expression Expressionism Expressionist Expressionist theory Ezra Pound F. R. Leavis fact feeling human I. A. Richards ideas imagination imitation influence judge judgement L. A. Reid language less literary art literary criticism literary excellence literature logical means mental mind mode modern moral mystical nature organic unity organic whole painter painting perception person philosophical picture pleasure poem poet poetic poetry practical criticism precision principle prose psychology reader realistic reality reason recording rhythm Roger Fry seems sense sort sound structure symbols T. E. Hulme T. S. Eliot taste theory of art theory of beauty things thought tion true truth verbal visual experience words
Referências a este livro
Dancers Talking Dance: Critical Evaluation in the Choreography Class Larry Lavender Pré-visualização indisponível - 1996 |