Aesthetics and CriticismRoutledge & Paul, 1955 - 341 páginas |
No interior do livro
Resultados 1-3 de 60
Página 76
... colour perception except by putting it into a class along with a million other similar but individually different experiences . With shape the case is still worse ; only some few regular geometrical shapes have names or are describable ...
... colour perception except by putting it into a class along with a million other similar but individually different experiences . With shape the case is still worse ; only some few regular geometrical shapes have names or are describable ...
Página 79
... colour - object that he is going to transfer to his canvas , and the only modification he will make it undergo is that he will transform it into an imaginary object . He is therefore as far as can be from considering colours and signs ...
... colour - object that he is going to transfer to his canvas , and the only modification he will make it undergo is that he will transform it into an imaginary object . He is therefore as far as can be from considering colours and signs ...
Página 183
... colour or its shape ) ; yet when the experience is recalled in memory you are able to recover many more concrete aspects than at the time of ex- perience you seemed to take in . It is this that the poet encourages you to do , taking ...
... colour or its shape ) ; yet when the experience is recalled in memory you are able to recover many more concrete aspects than at the time of ex- perience you seemed to take in . It is this that the poet encourages you to do , taking ...
Índice
THE CRAFT OF CRITICISM | 5 |
APOLOGIA FOR AESTHETICS | 24 |
ILLUSIONISM | 48 |
Direitos de autor | |
11 outras secções não apresentadas
Outras edições - Ver tudo
Palavras e frases frequentes
abstract actual aesthetic aesthetic objects aesthetic wholes aesthetician appreciation Aristotle aroused artefacts artistic excellence assessment assumption attention attitude awareness become believe claim Clive Bell colour communicate completely conception configuration conscious criterion describe doctrine effect emotional essay exists expression Expressionism Expressionist Expressionist theory Ezra Pound F. R. Leavis fact feeling human I. A. Richards ideas imagination imitation influence judge judgement L. A. Reid language less literary art literary criticism literary excellence literature logical means mental mind mode modern moral mystical nature organic unity organic whole painter painting perception person philosophical picture pleasure poem poet poetic poetry practical criticism precision principle prose psychology reader realistic reality reason recording rhythm Roger Fry seems sense sort sound structure symbols T. E. Hulme T. S. Eliot taste theory of art theory of beauty things thought tion true truth verbal visual experience words
Referências a este livro
Dancers Talking Dance: Critical Evaluation in the Choreography Class Larry Lavender Pré-visualização indisponível - 1996 |