Aesthetics and CriticismRoutledge & Paul, 1955 - 341 páginas |
No interior do livro
Resultados 1-3 de 28
Página 80
... completely irrelevant to its excellence as a work of art . The purpose of the artist is , therefore , an irrelevant consideration in judging works of art , for a great number of excellent works of art have been produced incidentally by ...
... completely irrelevant to its excellence as a work of art . The purpose of the artist is , therefore , an irrelevant consideration in judging works of art , for a great number of excellent works of art have been produced incidentally by ...
Página 159
... completely separable in practice . The moment of creation proper is never completely introspectable . Some artists have gone very far in tracing the sources of their ideas , the associations they had , and so on ; but there always ...
... completely separable in practice . The moment of creation proper is never completely introspectable . Some artists have gone very far in tracing the sources of their ideas , the associations they had , and so on ; but there always ...
Página 162
... completely that something impersonal , something that has nothing to do with action or desire , suddenly starts into its place , something which is as unforeseen , as completely organized , even as unique , as the images that pass ...
... completely that something impersonal , something that has nothing to do with action or desire , suddenly starts into its place , something which is as unforeseen , as completely organized , even as unique , as the images that pass ...
Índice
THE CRAFT OF CRITICISM | 5 |
APOLOGIA FOR AESTHETICS | 24 |
ILLUSIONISM | 48 |
Direitos de autor | |
11 outras secções não apresentadas
Outras edições - Ver tudo
Palavras e frases frequentes
abstract actual aesthetic aesthetic objects aesthetic wholes aesthetician appreciation Aristotle aroused artefacts artistic excellence assessment assumption attention attitude awareness become believe claim Clive Bell colour communicate completely conception configuration conscious criterion describe doctrine effect emotional ence essay exists expression Expressionism Expressionist Expressionist theory Ezra Pound F. R. Leavis fact feeling human I. A. Richards ideas imagination imitation influence judge judgement L. A. Reid language less literary art literary criticism literary excellence literature logical means mental mind mode moral mystical nature organic unity organic whole painter painting perception person philosophical picture pleasure poem poet poetic poetry practical criticism precision principle prose psychology reader Realism reality reason recording rhythm Roger Fry seems sense sort sound structure symbols T. E. Hulme T. S. Eliot taste theory of art theory of beauty things thought tion true truth verbal visual experience words
Referências a este livro
Dancers Talking Dance: Critical Evaluation in the Choreography Class Larry Lavender Pré-visualização indisponível - 1996 |