Aesthetics and CriticismRoutledge & Paul, 1955 - 341 páginas |
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Página 22
... direct experience ; what he can do of most damage is to impose the yardstick of authoritarian pronouncements in the way of direct ex- perience . I cannot do better at this point than quote the words of Professor John Dewey , who went ...
... direct experience ; what he can do of most damage is to impose the yardstick of authoritarian pronouncements in the way of direct ex- perience . I cannot do better at this point than quote the words of Professor John Dewey , who went ...
Página 23
... direct experience of others , as a survey of a country is of help to the one who travels through it , while dicta about worth operate to limit personal experience.'1 We would add that the exceptional critic who brings about some ...
... direct experience of others , as a survey of a country is of help to the one who travels through it , while dicta about worth operate to limit personal experience.'1 We would add that the exceptional critic who brings about some ...
Página 207
... direct acquaintance or by denying that it is rightly called knowledge . You can only do so by showing either that there is no direct acquaintance with metaphysical reality or that this particular variety of experience to which they ...
... direct acquaintance or by denying that it is rightly called knowledge . You can only do so by showing either that there is no direct acquaintance with metaphysical reality or that this particular variety of experience to which they ...
Índice
THE CRAFT OF CRITICISM | 5 |
APOLOGIA FOR AESTHETICS | 24 |
ILLUSIONISM | 48 |
Direitos de autor | |
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Palavras e frases frequentes
abstract actual aesthetic aesthetic objects aesthetic wholes aesthetician appreciation Aristotle aroused artefacts artistic excellence assessment assumption attention attitude awareness become believe claim Clive Bell colour communicate completely conception configuration conscious criterion describe doctrine effect emotional essay exists expression Expressionism Expressionist Expressionist theory Ezra Pound F. R. Leavis fact feeling human I. A. Richards ideas imagination imitation influence judge judgement L. A. Reid language less literary art literary criticism literary excellence literature logical means mental mind mode modern moral mystical nature organic unity organic whole painter painting perception person philosophical picture pleasure poem poet poetic poetry practical criticism precision principle prose psychology reader realistic reality reason recording rhythm Roger Fry seems sense sort sound structure symbols T. E. Hulme T. S. Eliot taste theory of art theory of beauty things thought tion true truth verbal visual experience words
Referências a este livro
Dancers Talking Dance: Critical Evaluation in the Choreography Class Larry Lavender Pré-visualização indisponível - 1996 |