Aesthetics and CriticismRoutledge & Paul, 1955 - 341 páginas |
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Página 85
... emotional situations tends to distract the observer from seeing the pictures they have made , prefer to eliminate all emotional symboliza- tion from their pictures.1 Mr. Clive Bell once went so far as to say : ' A painter too feeble to ...
... emotional situations tends to distract the observer from seeing the pictures they have made , prefer to eliminate all emotional symboliza- tion from their pictures.1 Mr. Clive Bell once went so far as to say : ' A painter too feeble to ...
Página 132
... emotion . The theory also shares with the hedonistic theory the disadvantage that it discriminates a differ- ent class of works of art for every person - no two persons experience exactly the same emotional reactions or react emotionally ...
... emotion . The theory also shares with the hedonistic theory the disadvantage that it discriminates a differ- ent class of works of art for every person - no two persons experience exactly the same emotional reactions or react emotionally ...
Página 166
... emotions which are sympathetically induced and the ' aesthetic ' emotions which are directly evoked in the observer . But in instrumental music there is no represented emotional content , no element of ' life ' emotion ; there is only ...
... emotions which are sympathetically induced and the ' aesthetic ' emotions which are directly evoked in the observer . But in instrumental music there is no represented emotional content , no element of ' life ' emotion ; there is only ...
Índice
THE CRAFT OF CRITICISM | 5 |
APOLOGIA FOR AESTHETICS | 24 |
ILLUSIONISM | 48 |
Direitos de autor | |
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Palavras e frases frequentes
abstract actual aesthetic aesthetic objects aesthetic wholes aesthetician appreciation Aristotle aroused artefacts artistic excellence assessment assumption attention attitude awareness become believe claim Clive Bell colour communicate completely conception configuration conscious criterion describe doctrine effect emotional ence essay exists expression Expressionism Expressionist Expressionist theory Ezra Pound F. R. Leavis fact feeling human I. A. Richards ideas imagination imitation influence judge judgement L. A. Reid language less literary art literary criticism literary excellence literature logical means mental mind mode moral mystical nature organic unity organic whole painter painting perception person philosophical picture pleasure poem poet poetic poetry practical criticism precision principle prose psychology reader Realism reality reason recording rhythm Roger Fry seems sense sort sound structure symbols T. E. Hulme T. S. Eliot taste theory of art theory of beauty things thought tion true truth verbal visual experience words
Referências a este livro
Dancers Talking Dance: Critical Evaluation in the Choreography Class Larry Lavender Pré-visualização indisponível - 1996 |