Aesthetics and CriticismRoutledge & Paul, 1955 - 341 páginas |
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Página 36
... fact coherent with each other will his judgements be consistent . Until the reader has understood what these ... fact , the bulk of ordinary linguistic discourse depends upon such implied ostensive definition for its effectiveness as ...
... fact coherent with each other will his judgements be consistent . Until the reader has understood what these ... fact , the bulk of ordinary linguistic discourse depends upon such implied ostensive definition for its effectiveness as ...
Página 215
... fact . It is the sort of belief which could only have gained currency in an age habituated to accept the truth of many apparent paradoxes if only they are uttered in the name of science . It is no more likely that when I describe a ...
... fact . It is the sort of belief which could only have gained currency in an age habituated to accept the truth of many apparent paradoxes if only they are uttered in the name of science . It is no more likely that when I describe a ...
Página 243
... fact that each element in a work of art is necessary to its value , that it contains no elements that are not thus necessary , and that all that are needful are there . " 1 So put , this is no more than a re - affirmation of the belief ...
... fact that each element in a work of art is necessary to its value , that it contains no elements that are not thus necessary , and that all that are needful are there . " 1 So put , this is no more than a re - affirmation of the belief ...
Índice
THE CRAFT OF CRITICISM | 5 |
APOLOGIA FOR AESTHETICS | 24 |
ILLUSIONISM | 48 |
Direitos de autor | |
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Palavras e frases frequentes
abstract actual aesthetic aesthetic objects aesthetic wholes aesthetician appreciation Aristotle aroused artefacts artistic excellence assessment assumption attention attitude awareness become believe claim Clive Bell colour communicate completely conception configuration conscious criterion describe doctrine effect emotional essay exists expression Expressionism Expressionist Expressionist theory Ezra Pound F. R. Leavis fact feeling human I. A. Richards ideas imagination imitation influence judge judgement L. A. Reid language less literary art literary criticism literary excellence literature logical means mental mind mode modern moral mystical nature organic unity organic whole painter painting perception person philosophical picture pleasure poem poet poetic poetry practical criticism precision principle prose psychology reader realistic reality reason recording rhythm Roger Fry seems sense sort sound structure symbols T. E. Hulme T. S. Eliot taste theory of art theory of beauty things thought tion true truth verbal visual experience words
Referências a este livro
Dancers Talking Dance: Critical Evaluation in the Choreography Class Larry Lavender Pré-visualização indisponível - 1996 |