Aesthetics and CriticismRoutledge & Paul, 1955 - 341 páginas |
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Página 49
... imagination is , precisely , the heart and core of poetry , adducing as an exemplar of the typical poet Ovid , ' a man who seems hardly to have lived at all except in the world of his imagination'.1 He further argues that the doctrine ...
... imagination is , precisely , the heart and core of poetry , adducing as an exemplar of the typical poet Ovid , ' a man who seems hardly to have lived at all except in the world of his imagination'.1 He further argues that the doctrine ...
Página 69
... imagination with the life of reality is a trap into which most of our critics seem to me to fall about a dozen times each year . Do the trick over and over , and in they tumble . " It is life , " they say . " Another great artist has ...
... imagination with the life of reality is a trap into which most of our critics seem to me to fall about a dozen times each year . Do the trick over and over , and in they tumble . " It is life , " they say . " Another great artist has ...
Página 97
... imagination suggests , and to which as a limit the present system of Divine Providence actually tends .... Hence , while it recreates the imagination by the superhuman loveliness of its views , it provides a solace for the mind broken ...
... imagination suggests , and to which as a limit the present system of Divine Providence actually tends .... Hence , while it recreates the imagination by the superhuman loveliness of its views , it provides a solace for the mind broken ...
Índice
THE CRAFT OF CRITICISM | 5 |
APOLOGIA FOR AESTHETICS | 24 |
ILLUSIONISM | 48 |
Direitos de autor | |
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Palavras e frases frequentes
abstract actual aesthetic aesthetic objects aesthetic wholes aesthetician appreciation Aristotle aroused artefacts artistic excellence assessment assumption attention attitude awareness become believe claim Clive Bell colour communicate completely conception configuration conscious criterion describe doctrine effect emotional ence essay exists expression Expressionism Expressionist Expressionist theory Ezra Pound F. R. Leavis fact feeling human I. A. Richards ideas imagination imitation influence judge judgement L. A. Reid language less literary art literary criticism literary excellence literature logical means mental mind mode moral mystical nature organic unity organic whole painter painting perception person philosophical picture pleasure poem poet poetic poetry practical criticism precision principle prose psychology reader Realism reality reason recording rhythm Roger Fry seems sense sort sound structure symbols T. E. Hulme T. S. Eliot taste theory of art theory of beauty things thought tion true truth verbal visual experience words
Referências a este livro
Dancers Talking Dance: Critical Evaluation in the Choreography Class Larry Lavender Pré-visualização indisponível - 1996 |