Aesthetics and CriticismRoutledge & Paul, 1955 - 341 páginas |
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Página 141
... influence thereby spread and intensified . It was formulated into a coherent aesthetic doctrine , not essentially metaphysical in character , by Eugène Véron , one of the writers who influenced Tolstoi's aesthetic views.1 Art , said ...
... influence thereby spread and intensified . It was formulated into a coherent aesthetic doctrine , not essentially metaphysical in character , by Eugène Véron , one of the writers who influenced Tolstoi's aesthetic views.1 Art , said ...
Página 142
... influence of Novalis . In England the theoretical outlook of Romanticism was com- bined with outstanding critical understanding in Coleridge and through Coleridge influenced Mr. I. A. Richards , whose work on literary criticism has had ...
... influence of Novalis . In England the theoretical outlook of Romanticism was com- bined with outstanding critical understanding in Coleridge and through Coleridge influenced Mr. I. A. Richards , whose work on literary criticism has had ...
Página 217
... influence actively other men's emotions . Expressionism also holds that the primary function of the artist is to influence the emotions of other people by reproducing his own emotions in them , although it could admit that he may influence ...
... influence actively other men's emotions . Expressionism also holds that the primary function of the artist is to influence the emotions of other people by reproducing his own emotions in them , although it could admit that he may influence ...
Índice
THE CRAFT OF CRITICISM | 5 |
APOLOGIA FOR AESTHETICS | 24 |
ILLUSIONISM | 48 |
Direitos de autor | |
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Palavras e frases frequentes
abstract actual aesthetic aesthetic objects aesthetic wholes aesthetician appreciation Aristotle aroused artefacts artistic excellence assessment assumption attention attitude awareness become believe claim Clive Bell colour communicate completely conception configuration conscious criterion describe doctrine effect emotional essay exists expression Expressionism Expressionist Expressionist theory Ezra Pound F. R. Leavis fact feeling human I. A. Richards ideas imagination imitation influence judge judgement L. A. Reid language less literary art literary criticism literary excellence literature logical means mental mind mode modern moral mystical nature organic unity organic whole painter painting perception person philosophical picture pleasure poem poet poetic poetry practical criticism precision principle prose psychology reader realistic reality reason recording rhythm Roger Fry seems sense sort sound structure symbols T. E. Hulme T. S. Eliot taste theory of art theory of beauty things thought tion true truth verbal visual experience words
Referências a este livro
Dancers Talking Dance: Critical Evaluation in the Choreography Class Larry Lavender Pré-visualização indisponível - 1996 |