Aesthetics and CriticismRoutledge & Paul, 1955 - 341 páginas |
No interior do livro
Resultados 1-3 de 78
Página 73
... language ' . The element of natural symbolism , when the sound is qualitatively like the experience to which it refers ( called onomatopoeia in the vocabulary of literary criticism ) , which survives in language is very small , though ...
... language ' . The element of natural symbolism , when the sound is qualitatively like the experience to which it refers ( called onomatopoeia in the vocabulary of literary criticism ) , which survives in language is very small , though ...
Página 141
... language . The ordinary language of the spoken word originated from the expression of emotions by in- stinctive natural signs - cries of pleasure or pain , anger or desire , eagerness or disappointment , vocalizations of mood and mental ...
... language . The ordinary language of the spoken word originated from the expression of emotions by in- stinctive natural signs - cries of pleasure or pain , anger or desire , eagerness or disappointment , vocalizations of mood and mental ...
Página 182
... language and more systematically Mr. Empson has contributed to the analysis of this function of literary language to convey attitudes in his book The Structure of Complex Words . In this respect there is of course no absolute ...
... language and more systematically Mr. Empson has contributed to the analysis of this function of literary language to convey attitudes in his book The Structure of Complex Words . In this respect there is of course no absolute ...
Índice
THE CRAFT OF CRITICISM | 5 |
APOLOGIA FOR AESTHETICS | 24 |
ILLUSIONISM | 48 |
Direitos de autor | |
11 outras secções não apresentadas
Outras edições - Ver tudo
Palavras e frases frequentes
abstract actual aesthetic aesthetic objects aesthetic wholes aesthetician appreciation Aristotle aroused artefacts artistic excellence assessment assumption attention attitude awareness become believe claim Clive Bell colour communicate completely conception configuration conscious criterion describe doctrine effect emotional essay exists expression Expressionism Expressionist Expressionist theory Ezra Pound F. R. Leavis fact feeling human I. A. Richards ideas imagination imitation influence judge judgement L. A. Reid language less literary art literary criticism literary excellence literature logical means mental mind mode modern moral mystical nature organic unity organic whole painter painting perception person philosophical picture pleasure poem poet poetic poetry practical criticism precision principle prose psychology reader realistic reality reason recording rhythm Roger Fry seems sense sort sound structure symbols T. E. Hulme T. S. Eliot taste theory of art theory of beauty things thought tion true truth verbal visual experience words
Referências a este livro
Dancers Talking Dance: Critical Evaluation in the Choreography Class Larry Lavender Pré-visualização indisponível - 1996 |