Aesthetics and CriticismRoutledge & Paul, 1955 - 341 páginas |
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Página 74
... less it will contain . So also the words which are the symbols of concepts vary in generality . The word ' colour ' refers to more experiences than the word ' red ' , but it refers to them less concretely and vividly , distinguishes one ...
... less it will contain . So also the words which are the symbols of concepts vary in generality . The word ' colour ' refers to more experiences than the word ' red ' , but it refers to them less concretely and vividly , distinguishes one ...
Página 126
... less precise , less susceptible to coherent organization , but none the less genuinely knowledge than that which is mediated through reason and intellect . This knowledge of the aesthetic feelings had as its advocates Giovanni Battista ...
... less precise , less susceptible to coherent organization , but none the less genuinely knowledge than that which is mediated through reason and intellect . This knowledge of the aesthetic feelings had as its advocates Giovanni Battista ...
Página 318
... less and less able to supply what was left for him to supply without the aid of the scholar . Such elucidation is less necessary in the case of painting and still less necessary in the case of music , because the natural symbolization ...
... less and less able to supply what was left for him to supply without the aid of the scholar . Such elucidation is less necessary in the case of painting and still less necessary in the case of music , because the natural symbolization ...
Índice
THE CRAFT OF CRITICISM | 5 |
APOLOGIA FOR AESTHETICS | 24 |
ILLUSIONISM | 48 |
Direitos de autor | |
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Palavras e frases frequentes
abstract actual aesthetic aesthetic objects aesthetic wholes aesthetician appreciation Aristotle aroused artefacts artistic excellence assessment assumption attention attitude awareness become believe claim Clive Bell colour communicate completely conception configuration conscious criterion describe doctrine effect emotional essay exists expression Expressionism Expressionist Expressionist theory Ezra Pound F. R. Leavis fact feeling human I. A. Richards ideas imagination imitation influence judge judgement L. A. Reid language less literary art literary criticism literary excellence literature logical means mental mind mode modern moral mystical nature organic unity organic whole painter painting perception person philosophical picture pleasure poem poet poetic poetry practical criticism precision principle prose psychology reader realistic reality reason recording rhythm Roger Fry seems sense sort sound structure symbols T. E. Hulme T. S. Eliot taste theory of art theory of beauty things thought tion true truth verbal visual experience words
Referências a este livro
Dancers Talking Dance: Critical Evaluation in the Choreography Class Larry Lavender Pré-visualização indisponível - 1996 |