Aesthetics and CriticismRoutledge & Paul, 1955 - 341 páginas |
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Página 146
... mind and character from characteristic features of the works of art he has made . But when we appreciate correctly there is formed in our own minds through the medium of the work of art , it is said , a state of mind as like as possible ...
... mind and character from characteristic features of the works of art he has made . But when we appreciate correctly there is formed in our own minds through the medium of the work of art , it is said , a state of mind as like as possible ...
Página 154
... mind of the artist , which the work of art exists to communicate and to which the actual responses of individual observers asymptotically approximate . Any response to a work of art is , on the Expressionist view , more or less right ...
... mind of the artist , which the work of art exists to communicate and to which the actual responses of individual observers asymptotically approximate . Any response to a work of art is , on the Expressionist view , more or less right ...
Página 169
... mind of the artist to the mind of the observer . Although these facts are becoming more generally known , Expression- ism remains a potent influence in aesthetics and much practical criticism continues to be written on Expressionist ...
... mind of the artist to the mind of the observer . Although these facts are becoming more generally known , Expression- ism remains a potent influence in aesthetics and much practical criticism continues to be written on Expressionist ...
Índice
THE CRAFT OF CRITICISM | 5 |
APOLOGIA FOR AESTHETICS | 24 |
ILLUSIONISM | 48 |
Direitos de autor | |
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Palavras e frases frequentes
abstract actual aesthetic aesthetic objects aesthetic wholes aesthetician appreciation Aristotle aroused artefacts artistic excellence assessment assumption attention attitude awareness become believe claim Clive Bell colour communicate completely conception configuration conscious criterion describe doctrine effect emotional essay exists expression Expressionism Expressionist Expressionist theory Ezra Pound F. R. Leavis fact feeling human I. A. Richards ideas imagination imitation influence judge judgement L. A. Reid language less literary art literary criticism literary excellence literature logical means mental mind mode modern moral mystical nature organic unity organic whole painter painting perception person philosophical picture pleasure poem poet poetic poetry practical criticism precision principle prose psychology reader realistic reality reason recording rhythm Roger Fry seems sense sort sound structure symbols T. E. Hulme T. S. Eliot taste theory of art theory of beauty things thought tion true truth verbal visual experience words
Referências a este livro
Dancers Talking Dance: Critical Evaluation in the Choreography Class Larry Lavender Pré-visualização indisponível - 1996 |