Aesthetics and CriticismRoutledge & Paul, 1955 - 341 páginas |
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Página 228
... organic or natural pattern . Direct emotions of visual form are often strongly stimulated by works of the Surrealist ... organic unity ' . An organic unity was defined as ' a configuration such that the configura- tion itself is prior in ...
... organic or natural pattern . Direct emotions of visual form are often strongly stimulated by works of the Surrealist ... organic unity ' . An organic unity was defined as ' a configuration such that the configura- tion itself is prior in ...
Página 238
... organic unity ' is peculiar to them and constituent of their excellence as works of art . The conception of an organic unity or an organic whole is not peculiar to aesthetics . It has been rather extensively employed in certain ...
... organic unity ' is peculiar to them and constituent of their excellence as works of art . The conception of an organic unity or an organic whole is not peculiar to aesthetics . It has been rather extensively employed in certain ...
Página 247
... organic unity ' is another aspect of the quality we have already referred to as compactness . It is , I think , the most important element in ( possibility the whole of ) what we mean by beauty as configuration . It is the common aspect ...
... organic unity ' is another aspect of the quality we have already referred to as compactness . It is , I think , the most important element in ( possibility the whole of ) what we mean by beauty as configuration . It is the common aspect ...
Índice
THE CRAFT OF CRITICISM | 5 |
APOLOGIA FOR AESTHETICS | 24 |
ILLUSIONISM | 48 |
Direitos de autor | |
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Palavras e frases frequentes
abstract actual aesthetic aesthetic objects aesthetic wholes aesthetician appreciation Aristotle aroused artefacts artistic excellence assessment assumption attention attitude awareness become believe claim Clive Bell colour communicate completely conception configuration conscious criterion describe doctrine effect emotional essay exists expression Expressionism Expressionist Expressionist theory Ezra Pound F. R. Leavis fact feeling human I. A. Richards ideas imagination imitation influence judge judgement L. A. Reid language less literary art literary criticism literary excellence literature logical means mental mind mode modern moral mystical nature organic unity organic whole painter painting perception person philosophical picture pleasure poem poet poetic poetry practical criticism precision principle prose psychology reader realistic reality reason recording rhythm Roger Fry seems sense sort sound structure symbols T. E. Hulme T. S. Eliot taste theory of art theory of beauty things thought tion true truth verbal visual experience words
Referências a este livro
Dancers Talking Dance: Critical Evaluation in the Choreography Class Larry Lavender Pré-visualização indisponível - 1996 |