Aesthetics and CriticismRoutledge & Paul, 1955 - 341 páginas |
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Página 56
... Painting : " The painter's business is to design and paint any given bodies with lines and colours in such a manner that whatever is painted may appear prominent and be as like as possible to those given bodies . ' And even Leonardo ...
... Painting : " The painter's business is to design and paint any given bodies with lines and colours in such a manner that whatever is painted may appear prominent and be as like as possible to those given bodies . ' And even Leonardo ...
Página 57
... painting by taking his text from Sir Joshua Reynolds's notes to Du Fresnoy's Art of Painting : ' The study of nature is the beginning and the end of theory . It is in nature only we can find that beauty which is the great object of our ...
... painting by taking his text from Sir Joshua Reynolds's notes to Du Fresnoy's Art of Painting : ' The study of nature is the beginning and the end of theory . It is in nature only we can find that beauty which is the great object of our ...
Página 58
... Painter consisted only in this kind of imitation , Painting must lose its rank , and be no longer con- sidered as a liberal art , and sister to Poetry ; this imitation being merely mechanical , in which the slowest intellect is always ...
... Painter consisted only in this kind of imitation , Painting must lose its rank , and be no longer con- sidered as a liberal art , and sister to Poetry ; this imitation being merely mechanical , in which the slowest intellect is always ...
Índice
THE CRAFT OF CRITICISM | 5 |
APOLOGIA FOR AESTHETICS | 24 |
ILLUSIONISM | 48 |
Direitos de autor | |
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Palavras e frases frequentes
abstract actual aesthetic aesthetic objects aesthetic wholes aesthetician appreciation Aristotle aroused artefacts artistic excellence assessment assumption attention attitude awareness become believe claim Clive Bell colour communicate completely conception configuration conscious criterion describe doctrine effect emotional essay exists expression Expressionism Expressionist Expressionist theory Ezra Pound F. R. Leavis fact feeling human I. A. Richards ideas imagination imitation influence judge judgement L. A. Reid language less literary art literary criticism literary excellence literature logical means mental mind mode modern moral mystical nature organic unity organic whole painter painting perception person philosophical picture pleasure poem poet poetic poetry practical criticism precision principle prose psychology reader realistic reality reason recording rhythm Roger Fry seems sense sort sound structure symbols T. E. Hulme T. S. Eliot taste theory of art theory of beauty things thought tion true truth verbal visual experience words
Referências a este livro
Dancers Talking Dance: Critical Evaluation in the Choreography Class Larry Lavender Pré-visualização indisponível - 1996 |