Aesthetics and CriticismRoutledge & Paul, 1955 - 341 páginas |
No interior do livro
Resultados 1-3 de 31
Página 60
... perception of luminous sur- faces of bodies and held that these are only the forms under which we perceive a coherent system of receding planes . Other artists found other principles of selection amidst the manifold richness of ...
... perception of luminous sur- faces of bodies and held that these are only the forms under which we perceive a coherent system of receding planes . Other artists found other principles of selection amidst the manifold richness of ...
Página 214
... perception . If this is admitted , there is no logical reason for denying that when I see another shape as slender , lissom , obese , squat , tapering and so forth , I am also aware of a property in the object of my perception which is ...
... perception . If this is admitted , there is no logical reason for denying that when I see another shape as slender , lissom , obese , squat , tapering and so forth , I am also aware of a property in the object of my perception which is ...
Página 215
... perception ceases where language becomes inadequate to describe it is pure obscur- antism and seems clearly contradicted by experienced fact . It is the sort of belief which could only have gained currency in an age habituated to accept ...
... perception ceases where language becomes inadequate to describe it is pure obscur- antism and seems clearly contradicted by experienced fact . It is the sort of belief which could only have gained currency in an age habituated to accept ...
Índice
THE CRAFT OF CRITICISM | 5 |
APOLOGIA FOR AESTHETICS | 24 |
ILLUSIONISM | 48 |
Direitos de autor | |
11 outras secções não apresentadas
Outras edições - Ver tudo
Palavras e frases frequentes
abstract actual aesthetic aesthetic objects aesthetic wholes aesthetician appreciation Aristotle aroused artefacts artistic excellence assessment assumption attention attitude awareness become believe claim Clive Bell colour communicate completely conception configuration conscious criterion describe doctrine effect emotional essay exists expression Expressionism Expressionist Expressionist theory Ezra Pound F. R. Leavis fact feeling human I. A. Richards ideas imagination imitation influence judge judgement L. A. Reid language less literary art literary criticism literary excellence literature logical means mental mind mode modern moral mystical nature organic unity organic whole painter painting perception person philosophical picture pleasure poem poet poetic poetry practical criticism precision principle prose psychology reader realistic reality reason recording rhythm Roger Fry seems sense sort sound structure symbols T. E. Hulme T. S. Eliot taste theory of art theory of beauty things thought tion true truth verbal visual experience words
Referências a este livro
Dancers Talking Dance: Critical Evaluation in the Choreography Class Larry Lavender Pré-visualização indisponível - 1996 |