Aesthetics and CriticismRoutledge & Paul, 1955 - 341 páginas |
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Página 81
... picture . You do not value such a picture because it causes you to think of some woman whom you have known but because you happen to like looking at women of that type . And you hang it on the wall of your room because this is more ...
... picture . You do not value such a picture because it causes you to think of some woman whom you have known but because you happen to like looking at women of that type . And you hang it on the wall of your room because this is more ...
Página 85
... picture may comprise symbolized emotions of life - which he called ' dramatic ' or ' psychological ' values- and also the actual structure of coloured shapes and forms which is the picture ; and this latter he called its ' plastic ...
... picture may comprise symbolized emotions of life - which he called ' dramatic ' or ' psychological ' values- and also the actual structure of coloured shapes and forms which is the picture ; and this latter he called its ' plastic ...
Página 86
... picture may also evoke emotions or affective tendencies in the observer quite apart from any symbolic function which they may have . And full appreciation of a picture may involve adjustment between the emotions evoked by the forms in ...
... picture may also evoke emotions or affective tendencies in the observer quite apart from any symbolic function which they may have . And full appreciation of a picture may involve adjustment between the emotions evoked by the forms in ...
Índice
THE CRAFT OF CRITICISM | 5 |
APOLOGIA FOR AESTHETICS | 24 |
ILLUSIONISM | 48 |
Direitos de autor | |
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Palavras e frases frequentes
abstract actual aesthetic aesthetic objects aesthetic wholes aesthetician appreciation Aristotle aroused artefacts artistic excellence assessment assumption attention attitude awareness become believe claim Clive Bell colour communicate completely conception configuration conscious criterion describe doctrine effect emotional essay exists expression Expressionism Expressionist Expressionist theory Ezra Pound F. R. Leavis fact feeling human I. A. Richards ideas imagination imitation influence judge judgement L. A. Reid language less literary art literary criticism literary excellence literature logical means mental mind mode modern moral mystical nature organic unity organic whole painter painting perception person philosophical picture pleasure poem poet poetic poetry practical criticism precision principle prose psychology reader realistic reality reason recording rhythm Roger Fry seems sense sort sound structure symbols T. E. Hulme T. S. Eliot taste theory of art theory of beauty things thought tion true truth verbal visual experience words
Referências a este livro
Dancers Talking Dance: Critical Evaluation in the Choreography Class Larry Lavender Pré-visualização indisponível - 1996 |