Aesthetics and CriticismRoutledge & Paul, 1955 - 341 páginas |
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Página 95
... poet expresses general and universal truths by means of concrete images and instances , in contrast to the philosopher who enunciates general propositions . Sir Philip Sidney held that the poet is superior to the philosopher because he ...
... poet expresses general and universal truths by means of concrete images and instances , in contrast to the philosopher who enunciates general propositions . Sir Philip Sidney held that the poet is superior to the philosopher because he ...
Página 193
... poet's ' state of grace ' — into some aspect of the essential reality which is cloaked by the matter - of - fact world in which we ordinarily live . The vehicle by which this intuition is com- municated is the ' poetic image ' or the ...
... poet's ' state of grace ' — into some aspect of the essential reality which is cloaked by the matter - of - fact world in which we ordinarily live . The vehicle by which this intuition is com- municated is the ' poetic image ' or the ...
Página 195
... poet than he , also believed that the poet must pierce through the devitalized banality of the conventional world to the true reality behind by means of a quasi - mystical intuition . Je dis qu'il faut être VOYANT , se faire VOYANT ...
... poet than he , also believed that the poet must pierce through the devitalized banality of the conventional world to the true reality behind by means of a quasi - mystical intuition . Je dis qu'il faut être VOYANT , se faire VOYANT ...
Índice
THE CRAFT OF CRITICISM | 5 |
APOLOGIA FOR AESTHETICS | 24 |
ILLUSIONISM | 48 |
Direitos de autor | |
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Palavras e frases frequentes
abstract actual aesthetic aesthetic objects aesthetic wholes aesthetician appreciation Aristotle aroused artefacts artistic excellence assessment assumption attention attitude awareness become believe claim Clive Bell colour communicate completely conception configuration conscious criterion describe doctrine effect emotional essay exists expression Expressionism Expressionist Expressionist theory Ezra Pound F. R. Leavis fact feeling human I. A. Richards ideas imagination imitation influence judge judgement L. A. Reid language less literary art literary criticism literary excellence literature logical means mental mind mode modern moral mystical nature organic unity organic whole painter painting perception person philosophical picture pleasure poem poet poetic poetry practical criticism precision principle prose psychology reader realistic reality reason recording rhythm Roger Fry seems sense sort sound structure symbols T. E. Hulme T. S. Eliot taste theory of art theory of beauty things thought tion true truth verbal visual experience words
Referências a este livro
Dancers Talking Dance: Critical Evaluation in the Choreography Class Larry Lavender Pré-visualização indisponível - 1996 |