Aesthetics and CriticismRoutledge & Paul, 1955 - 341 páginas |
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Página 96
... poetry is , in either case one can no longer accept that ' typical truth ' is a necessary excellence of literature unless one is prepared to do violence to the dominant voice of contemporary criticism . Yet the conviction that in some ...
... poetry is , in either case one can no longer accept that ' typical truth ' is a necessary excellence of literature unless one is prepared to do violence to the dominant voice of contemporary criticism . Yet the conviction that in some ...
Página 181
... poetry . The first is that poetry - or at any rate some poetry - conveys to the reader with great vividness and exactness the intrinsic quale of the poet's perceptual or emotional experience , its actual sensory qualities of colour ...
... poetry . The first is that poetry - or at any rate some poetry - conveys to the reader with great vividness and exactness the intrinsic quale of the poet's perceptual or emotional experience , its actual sensory qualities of colour ...
Página 279
... poetry but may characterize prose composition also : in fact , all elevated and impassioned prose tends to be rhythmical . It is the combination of metre and rhythm which makes a composition technically poetry . There is , I think ...
... poetry but may characterize prose composition also : in fact , all elevated and impassioned prose tends to be rhythmical . It is the combination of metre and rhythm which makes a composition technically poetry . There is , I think ...
Índice
THE CRAFT OF CRITICISM | 5 |
APOLOGIA FOR AESTHETICS | 24 |
ILLUSIONISM | 48 |
Direitos de autor | |
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Palavras e frases frequentes
abstract actual aesthetic aesthetic objects aesthetic wholes aesthetician appreciation Aristotle aroused artefacts artistic excellence assessment assumption attention attitude awareness become believe claim Clive Bell colour communicate completely conception configuration conscious criterion describe doctrine effect emotional ence essay exists expression Expressionism Expressionist Expressionist theory Ezra Pound F. R. Leavis fact feeling human I. A. Richards ideas imagination imitation influence judge judgement L. A. Reid language less literary art literary criticism literary excellence literature logical means mental mind mode moral mystical nature organic unity organic whole painter painting perception person philosophical picture pleasure poem poet poetic poetry practical criticism precision principle prose psychology reader Realism reality reason recording rhythm Roger Fry seems sense sort sound structure symbols T. E. Hulme T. S. Eliot taste theory of art theory of beauty things thought tion true truth verbal visual experience words
Referências a este livro
Dancers Talking Dance: Critical Evaluation in the Choreography Class Larry Lavender Pré-visualização indisponível - 1996 |