Aesthetics and CriticismRoutledge & Paul, 1955 - 341 páginas |
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Página 151
... reader an experience which the reader desires or which for from reason , usually commercial , the author or a publisher wishes the reader to have . In pseudo - literature , therefore , the author's controlling purposes is to evoke an ...
... reader an experience which the reader desires or which for from reason , usually commercial , the author or a publisher wishes the reader to have . In pseudo - literature , therefore , the author's controlling purposes is to evoke an ...
Página 181
... reader with great vividness and exactness the intrinsic quale of the poet's perceptual or emotional experience , its actual sensory qualities of colour , shape , sound , texture , etc. , or its affective ' feel ' . The other is the ...
... reader with great vividness and exactness the intrinsic quale of the poet's perceptual or emotional experience , its actual sensory qualities of colour , shape , sound , texture , etc. , or its affective ' feel ' . The other is the ...
Página 282
... reader must be prepared to ' image ' in every mode of sensation . Valverde points out , for example , that the poetry of Neruda is tactile rather than visual , quoting his ' y en tu catedral ciega me arrodillo - golpeandome los labios ...
... reader must be prepared to ' image ' in every mode of sensation . Valverde points out , for example , that the poetry of Neruda is tactile rather than visual , quoting his ' y en tu catedral ciega me arrodillo - golpeandome los labios ...
Índice
THE CRAFT OF CRITICISM | 5 |
APOLOGIA FOR AESTHETICS | 24 |
ILLUSIONISM | 48 |
Direitos de autor | |
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Palavras e frases frequentes
abstract actual aesthetic aesthetic objects aesthetic wholes aesthetician appreciation Aristotle aroused artefacts artistic excellence assessment assumption attention attitude awareness become believe claim Clive Bell colour communicate completely conception configuration conscious criterion describe doctrine effect emotional essay exists expression Expressionism Expressionist Expressionist theory Ezra Pound F. R. Leavis fact feeling human I. A. Richards ideas imagination imitation influence judge judgement L. A. Reid language less literary art literary criticism literary excellence literature logical means mental mind mode modern moral mystical nature organic unity organic whole painter painting perception person philosophical picture pleasure poem poet poetic poetry practical criticism precision principle prose psychology reader realistic reality reason recording rhythm Roger Fry seems sense sort sound structure symbols T. E. Hulme T. S. Eliot taste theory of art theory of beauty things thought tion true truth verbal visual experience words
Referências a este livro
Dancers Talking Dance: Critical Evaluation in the Choreography Class Larry Lavender Pré-visualização indisponível - 1996 |