Aesthetics and CriticismRoutledge & Paul, 1955 - 341 páginas |
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Página 261
... recording of word - sounds in writing is immeasurably less precise than recordings of musical sounds . Writing has no means of indicating time - interval or speed , makes no provision for specifying pitch , timbre or volume . Therefore ...
... recording of word - sounds in writing is immeasurably less precise than recordings of musical sounds . Writing has no means of indicating time - interval or speed , makes no provision for specifying pitch , timbre or volume . Therefore ...
Página 262
... recording system in use is not far to seek . Writing was invented and perfected by men who were interested in per- petuating and communicating the meanings symbolized by words and interested not at all in the sensuous qualities of words ...
... recording system in use is not far to seek . Writing was invented and perfected by men who were interested in per- petuating and communicating the meanings symbolized by words and interested not at all in the sensuous qualities of words ...
Página 316
... recordings of literary works of art from casual inaccuracies and restoring them to their original state . A literary recording , a printed poem or play , is not a work of art but is a perduring potentiality for the actualization of a ...
... recordings of literary works of art from casual inaccuracies and restoring them to their original state . A literary recording , a printed poem or play , is not a work of art but is a perduring potentiality for the actualization of a ...
Índice
THE CRAFT OF CRITICISM | 5 |
APOLOGIA FOR AESTHETICS | 24 |
ILLUSIONISM | 48 |
Direitos de autor | |
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Palavras e frases frequentes
abstract actual aesthetic aesthetic objects aesthetic wholes aesthetician appreciation Aristotle aroused artefacts artistic excellence assessment assumption attention attitude awareness become believe claim Clive Bell colour communicate completely conception configuration conscious criterion describe doctrine effect emotional essay exists expression Expressionism Expressionist Expressionist theory Ezra Pound F. R. Leavis fact feeling human I. A. Richards ideas imagination imitation influence judge judgement L. A. Reid language less literary art literary criticism literary excellence literature logical means mental mind mode modern moral mystical nature organic unity organic whole painter painting perception person philosophical picture pleasure poem poet poetic poetry practical criticism precision principle prose psychology reader realistic reality reason recording rhythm Roger Fry seems sense sort sound structure symbols T. E. Hulme T. S. Eliot taste theory of art theory of beauty things thought tion true truth verbal visual experience words
Referências a este livro
Dancers Talking Dance: Critical Evaluation in the Choreography Class Larry Lavender Pré-visualização indisponível - 1996 |