Aesthetics and CriticismRoutledge & Paul, 1955 - 341 páginas |
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Página 31
... seems to controvert the view which I am writing to recommend . It is necessary therefore to pin - point the differences between us and see what they amount to . In the words I have quoted four propositions are affirmed with differ- ent ...
... seems to controvert the view which I am writing to recommend . It is necessary therefore to pin - point the differences between us and see what they amount to . In the words I have quoted four propositions are affirmed with differ- ent ...
Página 107
... seems to me that this is the essence of musical expression . " Emotion " is specific , in- dividual and conscious ; music goes deeper than this , to the energies which animate our psychic life , and out of these creates a pattern which ...
... seems to me that this is the essence of musical expression . " Emotion " is specific , in- dividual and conscious ; music goes deeper than this , to the energies which animate our psychic life , and out of these creates a pattern which ...
Página 159
... seems , two moments in the creation of a work of art : the moment of creation proper , when the idea of the work of art is born into the mind of the artist ; and the moment of fashioning , when the idea in the mind of the artist is ...
... seems , two moments in the creation of a work of art : the moment of creation proper , when the idea of the work of art is born into the mind of the artist ; and the moment of fashioning , when the idea in the mind of the artist is ...
Índice
THE CRAFT OF CRITICISM | 5 |
APOLOGIA FOR AESTHETICS | 24 |
ILLUSIONISM | 48 |
Direitos de autor | |
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Palavras e frases frequentes
abstract actual aesthetic aesthetic objects aesthetic wholes aesthetician appreciation Aristotle aroused artefacts artistic excellence assessment assumption attention attitude awareness become believe claim Clive Bell colour communicate completely conception configuration conscious criterion describe doctrine effect emotional essay exists expression Expressionism Expressionist Expressionist theory Ezra Pound F. R. Leavis fact feeling human I. A. Richards ideas imagination imitation influence judge judgement L. A. Reid language less literary art literary criticism literary excellence literature logical means mental mind mode modern moral mystical nature organic unity organic whole painter painting perception person philosophical picture pleasure poem poet poetic poetry practical criticism precision principle prose psychology reader realistic reality reason recording rhythm Roger Fry seems sense sort sound structure symbols T. E. Hulme T. S. Eliot taste theory of art theory of beauty things thought tion true truth verbal visual experience words
Referências a este livro
Dancers Talking Dance: Critical Evaluation in the Choreography Class Larry Lavender Pré-visualização indisponível - 1996 |