Aesthetics and CriticismRoutledge & Paul, 1955 - 341 páginas |
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Página 38
... seen one of Cézanne's indifferent pictures you have seen them all . We know the indignation which was aroused at the beginning of the century by the new enthusiasm for African sculpture . We remember the bewildered ridicule of ' modern ...
... seen one of Cézanne's indifferent pictures you have seen them all . We know the indignation which was aroused at the beginning of the century by the new enthusiasm for African sculpture . We remember the bewildered ridicule of ' modern ...
Página 76
... seen tragically , dramatically , serenely , complacently — and have repre- sented what they have seen in shapes with directness and concreteness . And nothing of this can the poet do . I do not say this in order to decry the powers of ...
... seen tragically , dramatically , serenely , complacently — and have repre- sented what they have seen in shapes with directness and concreteness . And nothing of this can the poet do . I do not say this in order to decry the powers of ...
Página 288
... seen as a single unified whole and each separable part can only be seen as it is when it is seen within the whole as a part of the whole . As the work of art enters into awareness through a period of time , attention must be evenly ...
... seen as a single unified whole and each separable part can only be seen as it is when it is seen within the whole as a part of the whole . As the work of art enters into awareness through a period of time , attention must be evenly ...
Índice
THE CRAFT OF CRITICISM | 5 |
APOLOGIA FOR AESTHETICS | 24 |
ILLUSIONISM | 48 |
Direitos de autor | |
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Palavras e frases frequentes
abstract actual aesthetic aesthetic objects aesthetic wholes aesthetician appreciation Aristotle aroused artefacts artistic excellence assessment assumption attention attitude awareness become believe claim Clive Bell colour communicate completely conception configuration conscious criterion describe doctrine effect emotional essay exists expression Expressionism Expressionist Expressionist theory Ezra Pound F. R. Leavis fact feeling human I. A. Richards ideas imagination imitation influence judge judgement L. A. Reid language less literary art literary criticism literary excellence literature logical means mental mind mode modern moral mystical nature organic unity organic whole painter painting perception person philosophical picture pleasure poem poet poetic poetry practical criticism precision principle prose psychology reader realistic reality reason recording rhythm Roger Fry seems sense sort sound structure symbols T. E. Hulme T. S. Eliot taste theory of art theory of beauty things thought tion true truth verbal visual experience words
Referências a este livro
Dancers Talking Dance: Critical Evaluation in the Choreography Class Larry Lavender Pré-visualização indisponível - 1996 |