Aesthetics and CriticismRoutledge & Paul, 1955 - 341 páginas |
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Página 35
... specific works of art but also indicate how they are contributory in this specific instance ( but not in that ) by reason of their organic relations to all the other qualities which together constitute the totality of the object . 1 The ...
... specific works of art but also indicate how they are contributory in this specific instance ( but not in that ) by reason of their organic relations to all the other qualities which together constitute the totality of the object . 1 The ...
Página 71
... specific genus , with surface - colour of a specific colour - group unusual to animals of that genus . The picture , however , is a natural symbol ; it puts you in mind of whatever it represents because it is like what it represents and ...
... specific genus , with surface - colour of a specific colour - group unusual to animals of that genus . The picture , however , is a natural symbol ; it puts you in mind of whatever it represents because it is like what it represents and ...
Página 107
... specific , in- dividual and conscious ; music goes deeper than this , to the energies which animate our psychic life ... specific and recognizable emotions but dynamic or rhythmic patterns which correspond to the normal rhythms of our ...
... specific , in- dividual and conscious ; music goes deeper than this , to the energies which animate our psychic life ... specific and recognizable emotions but dynamic or rhythmic patterns which correspond to the normal rhythms of our ...
Índice
THE CRAFT OF CRITICISM | 5 |
APOLOGIA FOR AESTHETICS | 24 |
ILLUSIONISM | 48 |
Direitos de autor | |
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Palavras e frases frequentes
abstract actual aesthetic aesthetic objects aesthetic wholes aesthetician appreciation Aristotle aroused artefacts artistic excellence assessment assumption attention attitude awareness become believe claim Clive Bell colour communicate completely conception configuration conscious criterion describe doctrine effect emotional essay exists expression Expressionism Expressionist Expressionist theory Ezra Pound F. R. Leavis fact feeling human I. A. Richards ideas imagination imitation influence judge judgement L. A. Reid language less literary art literary criticism literary excellence literature logical means mental mind mode modern moral mystical nature organic unity organic whole painter painting perception person philosophical picture pleasure poem poet poetic poetry practical criticism precision principle prose psychology reader realistic reality reason recording rhythm Roger Fry seems sense sort sound structure symbols T. E. Hulme T. S. Eliot taste theory of art theory of beauty things thought tion true truth verbal visual experience words
Referências a este livro
Dancers Talking Dance: Critical Evaluation in the Choreography Class Larry Lavender Pré-visualização indisponível - 1996 |