Aesthetics and CriticismRoutledge & Paul, 1955 - 341 páginas |
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Página 225
... structure and to deny that any artefact is art unless it has the right structure ; they are prepared to assess the excellence of any work of art in terms of its formal structure , not in terms of its representational realism , the ...
... structure and to deny that any artefact is art unless it has the right structure ; they are prepared to assess the excellence of any work of art in terms of its formal structure , not in terms of its representational realism , the ...
Página 226
... structure in virtue of which some configurations are judged to be good and others bad . Mr. Clive Bell said many years ago that the investigation of ' significant form ' was the central problem of aesthetics , 1 and - if this theory is ...
... structure in virtue of which some configurations are judged to be good and others bad . Mr. Clive Bell said many years ago that the investigation of ' significant form ' was the central problem of aesthetics , 1 and - if this theory is ...
Página 260
... structure which make any linguistic artefact a work of art are therefore inherent on various levels . In this chapter we propose to analyse those principles , which are the basic aesthetic principles of literary excellence with which ...
... structure which make any linguistic artefact a work of art are therefore inherent on various levels . In this chapter we propose to analyse those principles , which are the basic aesthetic principles of literary excellence with which ...
Índice
THE CRAFT OF CRITICISM | 5 |
APOLOGIA FOR AESTHETICS | 24 |
ILLUSIONISM | 48 |
Direitos de autor | |
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Palavras e frases frequentes
abstract actual aesthetic aesthetic objects aesthetic wholes aesthetician appreciation Aristotle aroused artefacts artistic excellence assessment assumption attention attitude awareness become believe claim Clive Bell colour communicate completely conception configuration conscious criterion describe doctrine effect emotional essay exists expression Expressionism Expressionist Expressionist theory Ezra Pound F. R. Leavis fact feeling human I. A. Richards ideas imagination imitation influence judge judgement L. A. Reid language less literary art literary criticism literary excellence literature logical means mental mind mode modern moral mystical nature organic unity organic whole painter painting perception person philosophical picture pleasure poem poet poetic poetry practical criticism precision principle prose psychology reader realistic reality reason recording rhythm Roger Fry seems sense sort sound structure symbols T. E. Hulme T. S. Eliot taste theory of art theory of beauty things thought tion true truth verbal visual experience words
Referências a este livro
Dancers Talking Dance: Critical Evaluation in the Choreography Class Larry Lavender Pré-visualização indisponível - 1996 |