Aesthetics and CriticismRoutledge & Paul, 1955 - 341 páginas |
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Página 90
... true to life . It need not be the whole truth , but it must be true.'1 We do not propose to multiply quotations in evidence or to go through the writings of the critics with a statistical divining - rod . It is our intention simply to ...
... true to life . It need not be the whole truth , but it must be true.'1 We do not propose to multiply quotations in evidence or to go through the writings of the critics with a statistical divining - rod . It is our intention simply to ...
Página 97
... true , those who , with Mr. I. A. Richards , deny that truth has any relevance to literary excellence at all because they believe that the sole function of literature is to arouse emotions and stimulate mental attitudes . But to ...
... true , those who , with Mr. I. A. Richards , deny that truth has any relevance to literary excellence at all because they believe that the sole function of literature is to arouse emotions and stimulate mental attitudes . But to ...
Página 165
... true I that in many readers the emotions presented in short lyrical poems which are constructed around a fairly unified mood are to some extent ' felt ' as well as ' imaged ' . But in drama , for example , the case is different . When ...
... true I that in many readers the emotions presented in short lyrical poems which are constructed around a fairly unified mood are to some extent ' felt ' as well as ' imaged ' . But in drama , for example , the case is different . When ...
Índice
THE CRAFT OF CRITICISM | 5 |
APOLOGIA FOR AESTHETICS | 24 |
ILLUSIONISM | 48 |
Direitos de autor | |
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Palavras e frases frequentes
abstract actual aesthetic aesthetic objects aesthetic wholes aesthetician appreciation Aristotle aroused artefacts artistic excellence assessment assumption attention attitude awareness become believe claim Clive Bell colour communicate completely conception configuration conscious criterion describe doctrine effect emotional essay exists expression Expressionism Expressionist Expressionist theory Ezra Pound F. R. Leavis fact feeling human I. A. Richards ideas imagination imitation influence judge judgement L. A. Reid language less literary art literary criticism literary excellence literature logical means mental mind mode modern moral mystical nature organic unity organic whole painter painting perception person philosophical picture pleasure poem poet poetic poetry practical criticism precision principle prose psychology reader realistic reality reason recording rhythm Roger Fry seems sense sort sound structure symbols T. E. Hulme T. S. Eliot taste theory of art theory of beauty things thought tion true truth verbal visual experience words
Referências a este livro
Dancers Talking Dance: Critical Evaluation in the Choreography Class Larry Lavender Pré-visualização indisponível - 1996 |