Shakespeare's Tragic SequenceBarnes & Noble Books, 1979 - 207 páginas The emphasis of this book is that each of Shakespeare's tragedies demanded its own individual form and that although certain themes run through most of the tragedies, nearly all critics refrain from the attempt to apply external rules to them. |
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Página 97
... Othello was jealous . In The Brothers Karamazov ( VIII.3 ) there is a discussion of Mitya's jealousy . Dostoevsky distinguishes between this and Othello's feelings : ' Othello was not jealous , he was trustful , ' observed Pushkin . And ...
... Othello was jealous . In The Brothers Karamazov ( VIII.3 ) there is a discussion of Mitya's jealousy . Dostoevsky distinguishes between this and Othello's feelings : ' Othello was not jealous , he was trustful , ' observed Pushkin . And ...
Página 101
... Othello's make - up ' , 15 even in this final apologia . At best it is ' the impressive manifestation of a noble egotism ' . The Othello music of which Wilson Knight has written16 so eloquently conveys ' romantic glamour ' . Othello's ...
... Othello's make - up ' , 15 even in this final apologia . At best it is ' the impressive manifestation of a noble egotism ' . The Othello music of which Wilson Knight has written16 so eloquently conveys ' romantic glamour ' . Othello's ...
Página 103
... Othello averts a fight with a line which shows him to be a man of natural authority : Keep up your bright swords , for the dew will rust them . This scene shows that ... Othello , the impression we derive from his own speeches Othello 103.
... Othello averts a fight with a line which shows him to be a man of natural authority : Keep up your bright swords , for the dew will rust them . This scene shows that ... Othello , the impression we derive from his own speeches Othello 103.
Índice
Apprenticeship | 20 |
Julius Caesar | 42 |
Hamlet | 55 |
Direitos de autor | |
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Palavras e frases frequentes
action actor Antony's appears argued audience avenger Banquo behaviour Bolingbroke Bradley Brutus Caesar Cassio cause character Claudius Coleridge confesses conscience contrast Cordelia Coriolanus critics death declares deed Desdemona devil doth dramatic dramatist Edgar Elizabethan evil father fear feeling fool Fortinbras Gertrude Ghost Gloucester gods Goneril Guildenstern guilt Hamlet hates hath heart heaven hell Horatio horror Iago Iago's imagery images jealous kill King Lear L. C. Knights Lady Macbeth Laertes Lear's lovers Menenius merely mind moral motive murder nature night noble Ophelia Othello passion play Plutarch poet Polonius Professor Queen realise Regan regarded revealed revenge Richard Richard II Roderigo Roman Rome Romeo and Juliet Rosencrantz says scene Shake Shakespeare Shakespearian soliloquy soul speaks speech spirit stage suggested suicide tells thee thou thought Timon Timon of Athens Titus Andronicus tragedies tragic hero true villain virtue wife Wilson Knight words
Referências a este livro
Hamlet, Protestantism, and the Mourning of Contingency: Not to be John E. Curran Visualização de excertos - 2006 |