Shakespeare and the Popular Dramatic Tradition

abstract action actor allegorical Antony and Cleopatra Antony's attention attitude behaviour bethan burlesque Caesar Cesario Claudius comedy conceit contemporary conventional conventionalism criticism death dialogue Dover Wilson dramatic illusion dual consciousness Duke dumb-show Egypt Egyptian Elizabethan audience Enobarbus episodic intensification Falstaff Feste film fool Gonzago-play Gorboduc Hamlet hath historical human Iago implies interpretation King Claudius L. C. Knights lovers Macb Macbeth medieval method mind Miss Bradbrook modern moral multi-consciousness nature neo-classical Orsino Othello passage plane play as play play-world and real Player's speech players playwright plot poetic drama poetry popular tradition Professor Dover Wilson Professor Schücking prose psychological real world recognised reference Renaissance Roman says scene Shake Shakespeare significance soliloquy song speak stage story suggestion symbolic T. S. Eliot theatre theme thou thought tion to-day tragedy Troilus and Cressida Ulysses unconscious verse Wheel of Fire Wilson Knight words writing